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#GoodTimes: Michael Musto Picks The 12 Best Disco Songs

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Michael Musto, shares his picks on The Blot for his 12 Greatest Disco Songs. So get your glittery tube top, shorty shorts and rainbow roller skates out, kids and prepare to get down… he admits to leaving out “Heaven Must Have Sent You,” Shake Your Groove Thing,” “Take Me Home,” “I Need A Man” and of ABBA…. but these are all good.

R-1848595-1255623583.jpeg TURN THE BEAT AROUND – VICKI SUE ROBINSON (1976)
“Harlem-born stage actress Robinson came out with this vivid, bracing song full of percolating rhythm, and it was a smash, easily providing one of the most thrillingly danceable moments of the disco era. Robinson acted as a sort of one-woman orchestra as she navigated through the rat tat tat of the drums and beyond. Gloria Estefan covered the song in 1994, and it became a hit all over again.”

4361c073069652609f0c9287a46b070f.600x599x1 LOVE HANGOVER – DIANA ROSS (1976)
“Diana wasn’t thrilled about joining the disco bandwagon, so they reportedly put a strobe light in the studio to make her feel it more. As she melted from the slow part to the jazzy part, Diana got into it, ad libbing, playing around and even laughing at one point. The double-trouble result, which goes from orgiastic to feisty, is a sexy classic. (Special mention also to Michael Jackson’s “Rock With You,” a wondrous mid-tempo disco song. Runners-up: “I’m Coming Out,” “Upside Down,” “The Boss”)

R-83621-1281301442.jpeg FOUR SEASONS OF LOVE – DONNA SUMMER (1976)
“I’m cheating here because this is actually a concept album, not a song, but it can easily be played as one long, throbbing track, and in fact, it should be, since it’ll give the DJ a nice, long bathroom break. Telling the story of a love situation as reflected by the quirky quartet of seasons, it spans “Spring Affair,” “Summer Fever,” “Autumn Changes” and “Winter Melody” with shimmery melodies, beautiful production, and Summer’s top notch vocals. What a year.”

Donna Summer - MacArthur Park [single] MACARTHUR PARK – DONNA SUMMER (1978)
Jimmy Webb’s song about a cake being left out in the rain was loopy when it first surfaced as a 1968 Richard Harris hit, done in the semi-musical equivalent of dramatic oratory style. Well, Donna slapped a frisky dance beat to it and the lyrical weirdnesses went by easier, as you thumped-thumped to the song’s varying textures of loving, regret and soaring. A truly weird, wonderful novelty item. Runners-up: “Heaven Knows,” “On The Radio,” “Dim All The Lights,” “Hot Stuff,” “Bad Girls,” “Last Dance,” etc.

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DON’T LEAVE ME THIS WAY – THELMA HOUSTON (1977)
“This was basically the flip side of “I Will Survive.” Rather than triumphing, Houston is frantically begging her man not to walk out the door and leave her in shambles. But it was equally dramatic, with fiery Houston vocals that keep evolving, though Harold Melvin and the Blue Notes, featuring Teddy Pendergrass, also did a really great version of the song a couple of years earlier.” Runner-up: “Disco Inferno” by The Trammps

macho_man MACHO MAN – VILLAGE PEOPLE (1978)
“Even better than “YMCA,” is this wink-wink ode to the glories of machismo which starts with inspired silliness (“Body … such a thrill, my body”) and keeps mounting (“Jogging in the morning, Go man, go/Works out in the health spa, muscles glow”) and builds to the nutty singalong part. Thank you, People. Runner-up: “It’s Raining Men” by The Weather Girls

artworks-000068597782-7m0sab-t500x500 SHAME – EVELYN “CHAMPAGNE” KING (1978)
“In one of those great show-biz stories, King was supposedly discovered when she was working as an office cleaner and was overheard singing in the bathroom. I’m glad she took her skills to the dance floor because “Shame” was an energy-packed classic which helped proved that disco didn’t have to be happy-smiley feelgood stuff for dummies. No one went to the bathroom when this song was on.”

Bee-Gees-Stayin-Alive---ps-585890 STAYIN’ ALIVE, BEE GEES (1977)
“The Bee Gees’ pulsing score to “Saturday Night Fever” is one of the best, and most popular, of all time. “Stayin’ Alive” is a strutting piece of big-city genius, though it’s one of many fab tracks on the soundtrack which sent home the sense of empowerment by disco. And the Gibb brothers’ chirpy vocals really resonated and sang out here.

11860422 GOOD TIMES – CHIC (1979)
“The state of the art-dance group, headed by Nile Rodgers and Bernard Edwards, used depression-era lyrical motifs to ring in this bittersweet song about happy days allegedly being here again. It’s just so sophisticated and catchy, filled with syncopated rhythms and tight female vocals, that it swirls you along into sheer disco bliss.” Runner up: “Le Freak”

Sister Sledge - We Are Family (artwork) germany WE ARE FAMILY – SISTER SLEDGE (1979)
“A bunch of siblings singing about love and loyalty as produced by the Chic guys. This was irresistible dance pop, and Kathy Sledge turned in top drawer vocals as she ushered us on this fabulous family journey.”

hqdefault SUPERNATURE – CERRONE (1977)
“I wanted to include something really deep-down disco, and this was it, the title track off the third album by the French musician/producer Marc Cerrone. It’s pounding and a bit eerie and swirling, and it totally hypnotizes. It reeks of 1970s check-your-mind-at-the-door uniqueness and dance hall escapism.” Runner-up: “Fly, Robin Fly” by Silver Convention

I WILL SURVIVE, GLORIA GAYNOR (1978)
“One of the standout hits of the disco era had Gaynor musically squawking about rising to power after being badly treated in a relationship. Everyone loved acting this one out as they danced to it, feeling so empowered by the Who-the-hell-needs-you? theme. It was so much more than a disco song; it was a three-act vengeance opera.

You can also listen to Michael Musto’s picks via this Spotify playlist here. (via The Blot Magazine)

The post #GoodTimes: Michael Musto Picks The 12 Best Disco Songs appeared first on World of Wonder.


Justin Bieber Wants Us To “Look” At Him Naked On A Yacht

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WOAH. I repeat. WOAH. Justin Bieber is apparently trying to break the Internet. Or trying to tell us all that he’s a bottom. Either way, he just posted a nude photo of his impressive backside on Instagram with the caption “look.” And it’s definitely working—I’m looking, over and over again!

TBH I’m not sure why the Biebs felt compelled to post this particular photo at all. But am I wrong for wishing he’d turn around and pose for a second?

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This tweet pretty much sums up my reaction:

We were recently graced with these gems from Justin’s Instagram as well.

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He must be really feeling himself lately! (Like this, maybe:)

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It’s Birthday, Bitch

#BornThisDay: Director, George Cukor

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July 7 1899– NYC born George Cukor is a major player in a scene in one of my favorite films, Gods & Monsters (1998),when gay director James Whale, played by gay actor Ian McKellen, brings his hot gardener stud to a party at Cukor’s home, with Princess Margaret as an honored guest. So well filmed & telling, director Bill Condon claims he shot the budget wad on that scene, but it was worth it.

Cukor’s private life was well known in Hollywood. His Sunday afternoon pool parties were legendary in gay circles, having been described at lurid detail by some of the party guests, including gay writer John Rechy. His home, decorated by gay actor-turned interior designer William Haines, was the spot for Hollywood homosexuals to gather. The close knit group included Haines & his partner Jimmie Shields, Alan Ladd, Somerset Maugham, James Vincent, screenwriter Rowland Leigh, costume designers Orry-Kelly & Robert Le Maire, & actors: John Darrow, Robert Walker, Anderson Lawler, Robert Seiter & Tom Douglas. Frank Horn, private secretary to Cary Grant, was a frequent guest. Cukor & his sophisticated, artistic friends socialized with their boyfriends, often hustlers, rough trade, actor wannabes, or ambitious artists & writers, who saw his parties as way into the exclusive Hollywood life.

My favorite anecdote: Hunky, young Forrest Tucker, who was straight, would show up at Cukor’s infamous Sunday afternoon parties & swim naked in the pool for the viewing pleasure of Cukor’s famous gay guests: W. Somerset Maugham, Noel Coward, Cecil Beaton & other assorted influential gays of the art, literature, & film scenes. Tucker realized these men were important contacts. He was one of the many up & coming young studs who were willing to make a naked appearance for the sake of their careers. Among the group was handsome, hunk, hairy Aldo Ray, whom Cukor seemed to like well enough to cast him in Pat & Mike & The Marrying Kind with Judy Holliday.

Cukor’s personal reputation has suffered from these anecdotes. Rechy:

“Cukor was a catty, sometimes cruel queen who was as gifted at separating his private & public personas as he was at making films.”

Yet among his close friends, those important enough to Cukor to have his home filled with their photographs: Katharine Hepburn, Spencer Tracy, Joan Crawford, Douglas Fairbanks Jr., Lauren Bacall & Humphrey Bogart, Claudette Colbert, Marlene Dietrich, Laurence Olivier & Vivien Leigh, Stanley Holloway, Judy Garland, Gene Tierney, Noël Coward, Cole Porter, James Whale, Edith Head, Norma Shearer & Irving Thalberg, Sinclair Lewis, Theodore Dreiser, Aldous Huxley, Ferenc Molnár, Christopher Isherwood & Don Bachardy, & BFF Somerset Maugham.

As a sort of closeted gay artist in Hollywood, one of Cukor’s constant themes in his films was how to reconcile a double life. His movies often feature an outsider or artist always at odds with his or her own gayness & the limits imposed by society. For Cukor this break with what society expected seems to represent real happiness. In Holiday (1938), Cary Grant rejects his rich, stuffy fiancée in favor of her spinster sister, played by Katharine Hepburn, who turns out to be a bohemian, free-thinker like him.

Cukor was often dubbed a “women’s director”, but he also was great directing men. He was the first to show Cary Grant as a romantic comedian in Sylvia Scarlett (1935), & he gave the first boosts to the careers of Jack Lemmon, Aldo Ray, Tom Ewell & Anthony Perkins as well as Hepburn & Angela Lansbury. He directed W. C. Fields, Lew Ayres, Spencer Tracy & James Mason to performances that should have won each of them Oscars. He directed James Stewart, Ronald Colman & Rex Harrison in performances that did. Plus: Max Carey in What Price Hollywood?(1932), John Barrymore in Dinner At Eight, (1933) Grant in Holiday & The Philadelphia Story (1940), Ronald Colman in A Double Life (1947),  Spencer Tracy in Adam’s Rib (1949) & Laurence Olivier in Love Among The Ruins (1975). All these actors were found to have new, interesting dimensions to their screen personas with Cukor’s smart, shrewd & sympathetic direction.

Among his most very best & most personal films: Little Women (1933), The Marrying Kind (1952), Pat & Mike (1952) & A Star Is Born (1954). None of these films is glossy, but all are cinematic, none of them started as plays in the theatre.

Cukor usually filmed stories from the viewpoint of a female main character. This is true in his Hepburn/Tracy romantic comedy Pat & Mike, just as it is in more obviously female-centric stories such as the classic Little Women or the thriller Gaslight (1944). Cukor’s emphasis on strong women, along with Clark Gable’s “ick factor” over Cukor’s homosexuality, are probably the reasons for the Cukor being fired from Gone With The Wind (1939) by producer David O. Selznick. He directed what is possibly the quintessential Gay Film, The Women (1939), with stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Virginia Grey, Marjorie Main, plus Stephen Rutledge, Butterfly McQueen, & Hedda Hopper.

All of his life, Cukor fought an inferiority complex based on his less than handsome looks, weight & a life in an anti-Semitic America. His biggest non-secret was his gayness. Among the major directors of the Golden Age of Hollywood, only Cukor & James Whale were, more or less, basically openly gay. He directed more than 50 films & was nominated for 5 Academy Awards for Best Director, winning for My Fair Lady (1964). His first nominations were for 2 of the 10 films he made with Katharine Hepburn, Little Women & The Philadelphia Story (1940).

“You direct a couple of successful pictures with women stars, so you become a ‘woman’s director’. Direct a sentimental little picture & all you get is sob stuff. I know I’ve been in & out of those little compartments. Heaven knows everyone has limitations. But why make them narrower than they are?”

Cukor’s final credits finally rolled in 1983, 2 years after his last film Rich & Famous. Cukor is buried in an unmarked grave at Forest Lawn Memorial Cemetery.

My favorite Cukor Film is Philadelphia Story. My Favorite Cukor moment would be Cary Grant’s speech on human kindness to haughty Katherine Hepburn as haughty Tracy Lord.

What is your favorite Cukor moment?

 

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#RIP: Producer, Jerry Weintraub

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Premiere Of The HBO Documentary "His Way" - Arrivals

Jerry Weintraub, the larger-than-life producer whose films included Nashville, Diner, The Karate Kid and the trio of Ocean’s films, died yesterday of cardiac arrest in Santa Barbara. He had been in poor health largely. He was 77. Weintraub was an old-school, Hollywood showman. He was a snappy dresser, and he knew how to work a room and the press.

After he got out of the Air Force he worked in the mailroom of MCA and was quickly was promoted to an agent and by the early ’70s he had built a large business. Concerts West was co-owned with Tom Hulett and booked big-name talent like Frank Sinatra, Bob Dylan, Elvis Presley and the Beach Boys. Weintraub was among the first to book top talent into concert tours held in big stadiums and he expanded into films, as exec producer first on the Altman-‘s Nashville in 1975.

His 2001 remake of Ocean’s Eleven directed by Steven Soderbergh had and an A-List cast topped by George Clooney, Brad Pitt, Matt Damon and Julia Roberts. It grossed $451 million worldwide. The sequels Ocean’s Twelve ($362 million), and Ocean’s Thirteen ($311 million) put him back on top after a series of no-so successful ventures. He also produced Soderbergh’s acclaimed Liberace biodrama Behind the Candelabra, starring Michael Douglas and Matt Damon.He also shepherded the current HBO series The Brink, and a limited series adaptation of the 70s fantasy adventure Westworld and a new Tarzan film for 2016. Douglas McGrath’s documentary His Way told Weintraub’s life-story. He told Variety in 2007:

“I’m an entrepreneur — I’ve been an independent guy all my life. I love doing what I do. I love the movies, I love actors, I love directors, I love writers, I love working with the studio, I love the marketing, I love the whole process.”

Weitraub with his "Ocean's 11" boyy back on top

Weitraub with his “Ocean’s 11″ boyy back on top

(Photo, Getty; via Variety)

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#ScandalReignited: Bill Cosby Admits To Drugging a Woman In 2005

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Jackie Robinson Foundation 2014 Awards Dinner

News just came out that Bill Cosby testified in 2005 he got Quaaludes to drug young women and had indeed dosed at least one. The admission is from a lawsuit that was settled out of court in 2006. Last year Hannibal Buress‘s comedy routine reignited what had been rumored in Hollywood for years but many refused to believe the allegations. As accusers came forward in droves, those who believed in Cosby’s innocence plead that the comedy icon was being tried in the court of “public opinion”, rather than in a court of law. His Cosby Show costar Phylicia Rashad said;

“This is about something else. This is about the obliteration of legacy.”

It was the word of sometimes-anonymous accusers against the word of a legend. This newly released testimony might put an end to the idea that such claims were motivated by a desire to boost the accusers’ own profiles, or to take down a comedy hero. Now the question is whether the public still cares. Regardless, Cosby will likely take the truth to his grave. (Photo, Getty; via Time)

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#LoveWins: Abby Wambach’s Kiss with Wife Sarah Goes Viral

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U.S. soccer star Abby Wambach shared a victory kiss with wife Sarah Huffman after the U.S. beat Japan 5-2 and won the FIFA Women’s World Cup on Sunday in Vancouver, Canada. Photographers and this Vine captured the sweet moment. The two were married in Hawaii in October of 2013. Fans peppered social media with the image and the hashtag #LoveWins, a nod to the SCOTUS verdict legalizing same-sex marriage across the country. Double victory, Abby –it must feel great!

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#RedHot: Now Tom of Finland Can Start AND Put Out Fires!

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The Finnish fire safety company Jalo Helsinki collaborated with the Tom of Finland Foundation to create a new line of red-hot fire safety products. The blankets can extinguish a small fire in your home or office, but in the interim Tom’s art is on display, within easy reach and in case of red-hot emergency. S.R. Sharp, Curator at Tom of Finland Foundation says

“This collection of fire blankets is a wonderful hybrid between art and design, and further elevates Tom’s work to heroic proportions. We are honored to partner with Jalo Helsinki in making Tom’s drawings and message easily reachable and always available.”

Smokey the Bear has a buddy now. Hot!

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Alyssa’s Secret: Were People on Hollywood Blvd As Excited About Gay Marriage As Alyssa?

Million Dollar Listing: New York Season 4 Breaks Records Just In Time For The Premiere of Million Dollar Listing: San Francisco!

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We’re celebrating some fabulous news today here at WOW.

The Emmy-nominated series “Million Dollar Listing: New York” concluded its fourth season averaging 794,000 P18-49, 870,000 P25-54 and 1.5 million total viewers, according to Nielsen Live+3 data, making it the highest-rated season of the series among all key demos, AND the highest-rated season in “Million Dollar Listing” franchise history among P18-49!

Additionally, last Wednesday’s season finale scored its most-watched episode the season with over 1.6 million total viewers, up 19 percent from the prior week’s episode!

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The newest addition to the franchise, “Million Dollar Listing: San Francisco,” premieres tomorrow, Wednesday, July 8 at 10p.m. ET/PT on Bravo!

The post Million Dollar Listing: New York Season 4 Breaks Records Just In Time For The Premiere of Million Dollar Listing: San Francisco! appeared first on World of Wonder.

Homeowners Forced to Move Due to Bone-Chilling Letters from “The Watcher”

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Last year, Derek and Maria Broaddus bought a six-bedroom, 4,000-square-foot turn-of-the century home for $1.3 million. Soon after signing the papers, however, they started receiving spine-chilling letters from someone who calls himself “The Watcher” – and claimed to be part of a long line of stalkers who have “watched” the home for generations. He writes: “My grandfather watched the house in the 1920s and my father watched in the 1960s. It is now my time. I have been put in charge of watching and waiting for its second coming.”

The creepy letters also mentions the Broaddus’ children: “Do you need to fill the house with the young blood I requested?” the mysterious Watcher asked. “Once I know their names I will call to them and draw them out to me.”

From Oddity Central:

Two other letters, sent one month apart, on June 18 and July 18, 2014, managed to spook the new owners even more. “Have (your children) found out what is in the walls yet?” the mysterious person asked. “In time they will.”

“I am pleased to know your names now and the name of the young blood you have brought to me,” one of the letters read “Will the young bloods play in the basement?”

“Who has the bedrooms facing the street? I’ll know as soon as you move in. … It will help me to know who is in which bedroom then I can plan better.”

“Who I am?” it read. “I am the Watcher.”

Part of the letters suggested that someone was actually watching them: “You have changed it and made it so fancy,” The Watcher wrote in one of the letters. “It cries for the past and what used to be in the time when I roamed its halls. … When I ran from room to room imagining the life with the rich occupants there. And now I watch and wait for the day when the young blood will be mine again.”

The Broaddus family have since moved out of their “dream home” and filled a civil complaint earlier this month, suing the former owners for “knowingly and willfully” failing to disclose the history of the house, particularly information about The Watcher, who claims possession of the property. Derek and Maria Broaddus claim they would never have bought the house had they known it was stalked.

In their complaint, the couple said that in one of the letters The Watcher mentioned having written to the previous owners as well, but they never said anything about it when the papers were signed. Their lawyer said “they have been consumed daily by stress, anxiety and fear regarding what ‘The Watcher’ will do.”

All of which is completely terrifying, of course. Except. It all seems a bit “high concept,” doesn’t it? Like it’s a pitch for a horror movie. Like someone wants to go viral, and has created an instant urban legend to profit from.

What do you think? Real or coming soon to a theater near you?

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Pee-wee Herman Announces Release Date for ‘Pee-wee’s Big Holiday’!

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WOWlebrity Pee-wee Herman has just announced the release date for his new movie Pee-wee’s Big Holiday. Pee-wee, who had a big comeback a couple of years ago on Broadway, announced his new movie would be on Netflix back in February. The film is produced by Judd Apatow and stars Pee-wee Herman, of course, as well as Joe Manganiello and features at least ONE of Weaven Steven’s hair masterpieces! You can look for the movie on Netflix in March 2016!n (via peewee.com)

Pee-wee Herman

 

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Short Doc OTD: “I Was Ronald McDonald”

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Joe Maggard was McDonald’s eponymous mascot from 1995 to 2007.

He was eighth of nine men to have done the job. But what happens after you step out of the big red shoes? Maggard says you never truly retire from being the fast-food chain’s Chief Happiness Officer. At a carnival in Las Vegas as he dons the costume again, and offers advice on healthy eating and the importance of being Ronald.

Spooky, spooky, spooky.  “I am Ronald now,” he says when he changes into his clown outfit. “Joe is present but, no, I’m Ronald. I’m him. I’m the clown. You can sit there and say ‘You psychotic bastard!’ It’s getting freaky in here. But it’s as a performer better when you can distinguish your character from yourself. It’s called method. Brando did it. I do it.”

Watch the doc below.

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It’s Birthday, Bitch

#BornThisDay: Architect, Philip Johnson

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Photograph by Evan Kafka

July 8, 1906Phillip Johnson is one of my favorite figures in the exalted field of Architecture, one of my passions. 20th century American architecture is my focus. I write that as I realize that my favorite structure on our pretty planet is the 13th century Duomo in Sienna in Tuscany. We are each filled with contradiction, right?

Not all that long ago, any young man who was gay & loved design was expected to become a “decorator”. Brick, steel & concrete were for straight dudes. Homos were supposed to stick to antique furniture & fabric swatches. For most of the 20th century, there was a brilliant exception. Philip Cortelyou Johnson built skyscrapers of steel in nearly every major USA city, mentored 3 generations of mostly straight  mostly male architects, & lived his life with a man he met when Ike was the President.

Idiosyncratic in his manner & dress, with his trademark thick round glasses, Johnson caught my interest when I lived in NYC in the mid-1070s & fell in love with the Seagram Building, designed by Johnson & Mies van der Rohe, which has a mention in the musical Company, making me curious about the reference.

After graduating from Harvard with a degree in History & Philosophy & a graduate degree is design. Johnson would take entire semesters off to travel in Europe, visiting the great structures in the company of gay Architectural Historian, Henry-Russell Hitchcock, a Harvard pal. The pair, along with Alfred Barr, a noted Art Historian, put together a landmark show The International Style: Architecture Since 1922 at the MOMA in 1932. The show had a profound influence with its introduction of Modern Architecture on the surprised American public.

In 1928, Johnson met architect Ludwig Mies van der Rohe, who was designing the German Pavilion for the Barcelona International Exposition Of 1929. The meeting was a revelation for Johnson & was the seed for a lifelong relationship with the famed designer as a collaborator & as competition.

Ohio born Johnson founded the Department Of Architecture & Design at the Museum Of Modern Art in NYC. He arranged for the first showings of the works Le Corbusier & Marcel Breuer in 1932. He didn’t actually practice architecture for another decade.

From 1932 to 1940, Johnson was out of the closet as a Nazi sympathizer, & was suspected by the US military of being a spy. He was active in right-wing political movements. He later stated:

“I have no excuse for such unbelievable stupidity… I don’t know how you expiate guilt.”

In 1956, Johnson did try to exorcise that guilt & he donated his design for a building a synagogue for the USA’s oldest Jewish congregation Kneses Tifereth Israel in Port Chester, NY.

His most iconic work is his Glass House, which I have actually checked out in person. Built on a beautiful site in New Canaan, Connecticut & completed in 1949, the serene Glass House is a 5 ft. x 32 ft. rectangle. It is considered to be one of the 20th century’s greatest residential structures with pure symmetry, dark colors & closeness to the earth that brings calm & order. It is rather perfect.

His other important structures include: New York State Theatre at Lincoln Center, JFK Memorial Plaza in Dallas, 101 California Street in San Francisco, 191 Peachtree Tower in Atlanta, Crystal Cathedral in Garden Grove, California, Tata Theatre in Mombai, & the gorgeous Cathedral Of Hope in Dallas, a gay congregation. Johnson not only lived & dined in places of his own design, he also worked in them. For many years his office was in the Seagram Building.

“We still have a monumental architecture. To me, the drive for monumentality is as inbred as the desire for food & sex, regardless of how we denigrate it. Monuments differ in different periods. Each age has its own. Maybe, just maybe, we shall at last come to care for the most important, most challenging, surely the most satisfying of all architectural creations: building cities for people to live in.”

Throughout his career he was as well-known for his quips as he was for his buildings. He famously called Frank Lloyd Wright whose career lasted from the 1890s to the 1950s: “the greatest architect of the 19th century.”

Johnson lived with his partner, curator David Whitney from 1960 until his death in January 2005. His life was long enough that he can be considered both The Elder Statesman & The Enfant terrible of American architecture. Johnson took his last breath in this incarnation at The Glass House in New Canaan. He was 98 years old. Whitney joined him less than 6 months later just before their 46th anniversary.

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#QuoteUnquote: Whoopi Still Defends Bill Cosby; “He Has Not Been Proven a Rapist”

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Whoopi Goldberg continues to voice support for Bill Cosby, even after new evidence from 2005 came to light, explaining that he is “innocent until proven guilty.” Yesterday on The View, she expressed her opinion by saying that she didn’t want to make any judgments about the comedian;

“I don’t like snap judgments because I’ve had snap judgments made on me, so I’m very, very careful. Save your texts. Save your nasty comments. I don’t care.

I say this because this is my opinion, and in America, still, I know it’s a shock, but you are still innocent until proven guilty… He has not been proven a rapist.”

And talk about AWKWARD –co-host Raven-Symoné, who noted Cosby “gave me my first job,” admitted it was hard to talk about him.

“I don’t really like to discuss [this] because he is the reason I am on this panel in the first place. You need proof, and then I will be able to give my judgment here or there.”

OK, fine. We may never know – but it’s looking harder and harder to justify shielding this guy. We don’t know he’s guilty but in saying that, we have to admit we are ignoring and discounting the word of more than two dozen women who say otherwise. (via Huffington Post)

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#LawsuitTranscript: The Documents Bill Cosby Didn’t Want You (or Anyone) To Read

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Bill-Cosby-Finally-Addresses-Rape-And-Sexual-Assault-Allegations

Monday saw the unsealing of documents from the 2005 civil suit in which Andrea Constand said Bill Cosby drugged and raped her while she worked at Temple University. The unsealing followed a request from the AP, which Cosby’s legal team fought it on the grounds that Cosby isn’t a “public” person. Huh? Federal Judge Eduardo C. Robreno agreed to open the records, citing, among other factors, the comedian’s longstanding morals crusade, which, in Robreno’s view, diminishes his right to privacy. From Robreno’s memo (with citations removed and emphasis added) you eyes might glaze over but you can read here and see how “lawyered up” Cosby is and from my mind is hiding a LOT:

This case, however, is not about Defendant’s status as a public person by virtue of the exercise of his trade as a televised or comedic personality. Rather, Defendant has donned the mantle of public moralist and mounted the proverbial electronic or print soap box to volunteer his views on, among other things, childrearing, family life, education, and crime. To the extent that Defendant has freely entered the public square and “thrust himself into the vortex of th[ese] public issue[s],” he has voluntarily narrowed the zone of privacy that he is entitled to claim.
One new piece of information from the records: Cosby said at one point he had seven prescriptions for Quaaludes and thought about using them on young women. This is from a plaintiff’s motion concerning the conduct of Cosby and his lawyer during a deposition. The dialogue was included as part of a larger point about Cosby and his lawyer being difficult. From the motion:

After defendant testified that he obtained seven prescriptions for Quaaludes, the following testimony was elicited:

Q. You gave them to other people?

A. Yes.

(9/29/05, 66)

Q. You gave those drugs to other people knowing that it was —

MR. O’CONNOR: He said he gave it to T—- right now.

MS. TROIANI: He said other people. He did say other people.

BY MS. TROIANI:

Q. Knowing that it was illegal?

***MR. O’CONNOR:

Whatever the legality of it is, it will stand. I’m instructing him not to answer. He gave the Quaaludes. If it was illegal, the courts will determine that.

BY MS. TROIANI:

Q. Did you ever get another prescription for Quaaludes from another doctor after that time?

MR. O’CONNOR:

This is in the ‘70s?

THE WITNESS:

A. No.

BY MS. TROIANI:

Q. Who are the people that you gave the Quaaludes to?

MR. O’CONNOR: Keep it to the Jane Does. I’m not going beyond it. I’m instructing him not to answer it beyond the Jane Does.

(Tr. 9/29/05. 66-68)

BY MS. TROIANI:

Q. When you got the Quaaludes, was it in your mind that you were going to use these Quaaludes for young women that you wanted to have sex with?

A. Yes.

Q. Did you ever give any of those young women the Quaaludes without their knowledge?

MR. O’CONNOR: Object to the question. Restrict it to the Jane Does, would you, please
I’ll be updating this post as I go through all the records. Robreno’s memo is at the bottom of the post, and you can see all the court records by clicking here for our Scribd collection.

Update (7:10 p.m.): One woman said Cosby had sex with her after giving her Quaaludes when she was 19. Cosby said of this: “She meets me back stage. I give her Quaaludes. We then have sex.” From the same plaintiff’s motion (emphasis added is mine):

Defendant was questioned about a Rule 415 witness’ statement, in which she stated that at age 19, she met defendant who had sex with her after giving her Quaaludes. Her statement was ambiguous about whether or not they continued to see each other or simply met again two years later. Defense counsel repeatedly interjected himself into the testimony, giving his version of the incident and once again denying the applicability of Rule 30 (c) to the proceedings.

THE WITNESS:

A. That’s her statement. I don’t know. How many years ago are we talking about? 197 what?

MR. O’CONNOR: 6.

BY MS. TROIANI:

Q. You thought it was later than that?

MR. O’CONNOR: He met her two years later.

THE WITNESS:

A. I meet Ms (Redacted) in Las Vegas. She meets me back stage. I give her Quaaludes. We then have sex. I do not I can’t judge at this time what she knows about herself for 19 years, a passive personality.
Update (7:19 p.m.): Cosby said he called Tom Illus at mega-agency William Morris to get money to one of the Jane Does. It’s a line of questioning that Cosby’s lawyer quickly tried to end. From the same plaintiff’s motion (emphasis added is mine):

Defendant testified that he called Tom Illus of the William Morris Agency and asked him to send money to one of the Rule 415 witnesses. He testified that Mr. Illus did not ask him why. He then testified:

Q. Have you ever asked him in the past to send money to women?

A. I’m not sure.

Q. Had you ever had a discussion with him concerning this process where he would act as a conduit for you to send funds to other people?

MR. O’CONNOR: If you restrict it to Jane Does, I’ll allow him to answer the question or to Andrea.

MS. TROIANI: I believe the court said we can delve into other issues in his life concerning other women that he may or may not have paid.

MR. O’CONNOR: I don’t believe so. The problem is it’s a question of privacy for other consenting adults, if it’s occurred. I don’t think it would be appropriate. The judge says it is, we’ll abide. I don’t think it’s appropriate to bring, if there are other women with a consenting relationship, into the situation.

MS. TROIANI: You don’t know that they’re consenting adults. Mr. Cosby believes Andrea consented. She does not. That’s your issue. We’ve got to know who they are so we can find out from them.

MR. O’CONNOR: We do know who they are. There’s 11 of them and you’re on the second one.
Update (7:37 p.m.): Constand didn’t ask for any money—only an apology—but Cosby still offered her money, according to his testimony, for her “education.” He also offered money to another woman. From the same plaintiff’s motion (emphasis added is mine):

Defendant testified that even though both Plaintiff and her mother told him that all they wanted was an apology, he called Plaintiff’s home and spoke to her mother to offer money for Plaintiff’s “education.” The following occurred during questioning about that event:

Q. So, are you saying that Andrea would have to prove to you that she got a 3.0 average wherever she went in order for you to pay for her education?

A. She would have to prove to me that while she was at said university that she was maintaining a 3.0.

Q. But you didn’t require that of T———, did you?

A. T——-, yes. How can you say, but you weren’t? Do you know the deal with T——?

Q. You told us earlier.

A. What did I say it was?

MR. O’CONNOR: That wasn’t the deal.

MS. TROIANI: I’m not talking about the deal.
Update (8:25 p.m.): There are more details about William Morris, what the agency might have known about Cosby’s rape accusations, and testimony that Cosby “had a representative of the William Morris agency call Plaintiff.” From a plaintiff’s motion to compel discovery (emphasis added is mine):

Defendant admitted that in his initial conversation with Plaintiff and her mother, he asked them what they wanted and they said they only wanted an apology and to know the name of the drug Defendant had given to Plaintiff. He testified that some time after that call, he decided to call Plaintiffs mother to offer Plaintiff funds for “education” and to ask them to meet him in Florida. He then had a representative of the William Morris agency call Plaintiff. The William Morris agency also funneled money to one of the Rule 415 witnesses. It is believed that this line of questioning will lead to relevant information concerning other Jane Does, and other evidence which not only supports Plaintiffs version of the events, but also tends to prove the malicious actions of Defendant which evidence is relevant to punitive damages.

… Further, it is anticipated that discovery will reveal that various business associates were aware of Defendant’s actions and not only failed to warn Plaintiff but actively participated in her victimization.
Update (8:45 p.m.): Here’s a summary, as described by Constand’s lawyer, of Hollywood pit bull Marty Singer’s role in getting the National Enquirer to pull the story of another woman who said Cosby raped her. From a plaintiff’s motion to compel discovery (emphasis added is mine):

Apparently a California attorney named Marty Singer and Mr. Schmidt negotiated with the National Enquirer on behalf of Mr. Cosby. Defendant testified that he learned that the paper was going to print Beth Ferrier’s story from his lawyer Marty Singer and that he decided to give the paper an “exclusive interview” in exchange for their not printing the Beth Ferrier story, which he had been given the opportunity to review. He asserted the attorney client privilege in response to questions about what Mr. Singer told him about the article. Mr. Singer also called plaintiff on defendant’s behalf. Plaintiff seeks to delve into the relationship between defendant and Mr. Singer to determine if he is a practicing attorney or a celebrity agent and whether or not he was acting in his capacity as attorney at the relevant time.
Update (9:00 p.m.): Constand’s lawyer provides this summary of the “educational trust” that she says Cosby offered Constand, even though she didn’t ask for money. The attorney adds that Cosby offered an “educational trust” to one of the Jane Doe’s as well. From a plaintiff’s motion to compel discovery (emphasis added is mine):

Defendant admitted to the police and in his deposition that the plaintiff and her mother did not ask for money or the “educational trust” which he called to offer to her after the initial phone conversation with plaintiff and her mother. He further admitted that he had previously used the “educational trust” device to pay one of the Rule 415 witnesses, when he believed that she was going to reveal their liaison. The thrust of plaintiff’s defamation claim is that defendant knew that she had not asked for money or attempted to extort or embarrass him when he gave that statement to the police and the National Enquirer.
Update (9:16 p.m.): Constand’s lawyer, Dolores Troiani, wrote that several people told “the police and others” that Cosby used a Denver modeling agency to “supply” himself with young women. She also hits home again why she thought it was important to question how much William Morris knew—Troiani believed the agency knew for years about Cosby’s behavior and used other celebrities to cover it up. From a plaintiff’s motion to compel discovery:

Several people have given statements to the police and others that Defendant used a modeling agency in Denver to supply him with young women, many of whom claim to have been victimized by Defendant. In the instant case, Defendant in his role as “mentor” sent Plaintiff to New York to meet with a representative of the William Morris Agency. A representative of the agency called Plaintiffs home in an attempt to set up a meeting with Defendant in Florida after Plaintiffs mother confronted Defendant. Defendant used the agency to funnel money to one of the Rule 415 witnesses.

Defendant testified that from the first time he saw Plaintiff he decided to have a sexual relationship with her, a fact of which she was unaware. A fair reading of his testimony indicates that to achieve his goal, he led her to believe that he was her mentor. The William Morris Agency’s knowledge and role in this charade, which apparently has been repeated many times over the years, is relevant to the instant claim and may lead to the discovery of evidence which would result in the amendment of the complaint to add other defendants. It is inconceivable that the Agency did not know of defendant’s longstanding difficulties with women, and plaintiff has the right to explore this area. Despite that knowledge, the Agency not only permitted defendant to libel plaintiff, it is anticipated that discovery will establish, it also used other celebrities under contract to them to publicize that slander, in order to preserve their economic interest in defendant. Such testimony is relevant to Plaintiffs claim.
Other details that Troiani mentioned include that Peter Weiderlight of William Morris said he booked three flights for Cosby in 18 months and all of them were women. Weiderlight also called Constand’s home at one point, and the following passage gives an idea of the power of not asking certain questions:

Q. What did you tell Peter that caused him to make this phone call?

A. If he would call and find out if they were willing to come to Miami, I would pay for air travel and the hotel expense.

Q. Did he ask you why you wanted that to occur?

A. No.
Update (9:52 p.m.): Troiani offers a very passionate defense of open court records and how key they are to keeping the system fair. From the transcript of a telephone conference to discuss the sealing of records (emphasis added is mine):

Our courts are not secret. Our courts are open to the public and they’re open to the public for a reason. And that is to preserve the integrity of this process. And Mr. Cosby should not be granted star status in the system. And I am extremely concerned about that. We, as lawyers, must come to court knowing that no matter who our client is, they’re going to be treated like any other client. And your Honor and I’m certainly saying this with all due respect to the Court, there is absolutely no reason when a man chooses to go public and put his defense in the newspaper, why when we have decimated that defense and he has admitted under oath, that he deliberately killed the story that was going to show that he was not being truthful. Why now we have to conduct this litigation under seal.

I am also concerned that Associated Press came to you, tried to join in the motion for confidentiality and now they have no way of knowing what’s going on here. They have no way of now presenting their case. You already ruled that this is not confidential. Frankly, your Honor, our client has three ways of vindicating herself. Settlement, trial or by having the public be made aware through these motions, what is going on in this court system.
Update (10:51 p.m.): Here is Cosby describing how he offered money to Constand’s family as part of that “educational trust.” From a plaintiff’s reply (emphasis added is mine):

In his deposition, the statement Defendant gave to the Montgomery County, Pennsylvania authorities concerning his January 16, 2005 telephone call with Plaintiff and her mother was read to him and he admitted as follows:

Q. First I apologized twice. Then she said—I said, what do you want me to—and I assume the word do is left out. I said, what can I do? And she said, nothing. She said, your apology is enough. I asked that twice. She said, nothing, there’s nothing you can do. We hung up. I know Andrea so I called her back thinking, listen, I know that Andrea has talked about graduate school, why don’t we have a conversation and talk about what she wants to be. Whatever graduate school, we will pick up the tab, but she must maintain a 3.0 GP A.” When you say we, who do you mean?

A. Well, like our family, when we write a check, that’s what we do.

Q. What was the response?

A. She did not accept, nor did she reject it.
Update (11:28 p.m.): Cosby continued to insist that what he gave Constand was Benadryl. He also answered one question by saying “that he no longer possessed Quaaludes as of November 2002,” according to one response to a motion by Constand’s lawyers.

Update (11:40 p.m.): Cosby refused to answer questions about his “educational trusts,” saying in one response that he did them “for a variety of people, for a variety of reasons.”

Defendant is a wealthy and generous person. He and his wife have established educational trusts and otherwise funded education for a variety of people, for a variety of reasons. The identities of the recipients and the reasons for the trusts are highly personal both to the Cosbys and the recipients. Simply because Defendant offered Plaintiff an “educational trust,” however, she now hopes to learn everything about them.
Update (11:51 p.m.): Cosby denies using the Denver agency to supply himself with women. To the William Morris questions, his legal team argues that those questions are just part of a fishing expedition. From the same Cosby response (emphasis added is mine):

Plaintiffs argument in support of Question 41 is appalling. First, as Plaintiff knows, the modeling agency is Denver to which she refers is not the William Morris agency (nor did Defendant ever use any agency to”supply him with young women”). Second, Plaintiff admits that she seeks to learn more about Defendant’s relationship with the William Morris agency in the vague hope that she will discover “evidence which would result in the amendment of the complaint to add other defendants.” Plaintiff simply presumes the veracity of several women whom she has not met, arguing that “[i]t is inconceivable that the Agency did not know of Defendant’s longstanding difficulties with women.” Plaintiff has no right to use discovery in this case to find support for additional claims. Fed. R. Civ. P. 26(b)(l) Advisory Committee Notes to 2000 Amendments (noting that parties “have no entitlement to discovery to develop new claims or defenses”). Even if such discovery were permissible,it still would not justify a broad inquiry into all the personal matters for which Defendant utilizes the William Morris agency.
The logic previews what Cosby will say years later, questioning why people believe the women who say they were drugged and raped by him.

Update (12:41 a.m.): Multiple records talk about an a contract between the National Enquirer and Cosby. In a defendant’s memorandum, Cosby’s legal team acknowledges: “The papers reveal an agreement between Defendant and the National Enquirer, which agreement contains a confidentiality clause and which both parties have kept confidential.”

Update (1:13 a.m.): While arguing for their ability to get records from the Enquirer, Constand’s lawyers quote this part of Cosby’s deposition in which he talks about getting the tabloid to not print Ferrier’s story. The emphasis is as it appears in the document:

Q. What is your understanding of the agreement that you had with the National Enquirer concerning the story that appeared in the National Enquirer which was your exclusive interview termed my story?

A. I would give them an exclusive story, my words.

Q. What would they give you in return?

A. They would not print the story of— print Beth’s story.

(Cosby dep. 9/29/05, 161)

Q. Did you ever think that if Beth Ferrier’s story was printed in the National Enquirer, that that would make the public believe that maybe Andrea was also telling the truth?

A. Exactly.

Q. So that you knew when this article was printed, when you told the Enquirer this, that you had to make the public believe that Andrea was not telling the truth?

A. Yes.
Update (1:35 a.m.): Cosby said in a deposition that he asks his employees to sign confidentiality agreements. He said: “We ask them—they have a choice. And the answer is yes, but they have a choice.” When asked what happens if they don’t sign, Cosby replies: “We kill them. No, they just don’t sign.”

The post #LawsuitTranscript: The Documents Bill Cosby Didn’t Want You (or Anyone) To Read appeared first on World of Wonder.

Allow Us to Introduce You to Snowflake, the World’s Biggest Pop Star. She Better Work!

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I hope you’re ready for your day to be made! Allow me to introduce you to the next singing sensation, six-foot-one bubbly pop princess, Snowflake. Britney better move over. The 34-year-old has even given Ms. Spears a run for her money by reviving the famous sheer body stocking from the now iconic Toxic video.

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As according to the Daily Mail, the story goes like this: The plus-size singer was spotted at a casting for a Hungarian comedy by its director who urged her to take singing lessons and learn English. Eventually, she then signed to Drastique Records, and now has music available everywhere—from iTunes to Spotify, Amazon and YouTube. She mentioned that being a plus-size singer will help make her more recognizable, and that “the director loved my moves and suggested we stay in touch — he said I could be an international phenomenon.”

“I think I look like Britney after she’s had her fifteenth child,” says Snowflake, before adding “In show business everybody has a perfect body and is photoshopped to be flawless—they are so far from reality.” I can’t argue with that.

Snowflake’s mission is to conquer the level at which Katy Perry and Lady Gaga are currently occupying as the world’s biggest pop stars.

PAY-Snowflake

We have one thing to say: Snowflake better work.

The post Allow Us to Introduce You to Snowflake, the World’s Biggest Pop Star. She Better Work! appeared first on World of Wonder.

Dressed As a Girl: The Documentary with High Hopes, High Heels, and High Drama

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Dressed As a Girl is unique and surprisingly humorous film documenting the story of East London’s exciting alternative drag scene that is “occasionally heart-breaking, casually shocking, completely rocking and ceaselessly entertaining.”

This group of individuals question their friendships, families and personal ambitions whilst dressing up to shock the world and change perceptions. DRESSED AS A GIRL features some of the most renowned British drag acts including Jonny Woo, Scottee, Holestar, Amber Waze, John Sizzle, and Pia Arber.

Dressed as a Girl is an inspirational and important documentary, . Not only does the film’s insight give instruction to satellite gay communities, but it sends out a message to all creeds that when the party’s over – peace lies in being true to yourself.

Watch the fabulous trailer below.

UK director Colin Rothbart in his feature film debut pulls off the wigs, wipes off the mascara to unveil the real people behind the much hyped and talked about East London’s alternative drag scene. Following in the tradition of Paris Is Burning and The Cockettes, DRESSED AS A GIRL is so much more than show-stopping performances.

Filmed over five years, the film covers not only the highs and lows of this hugely popular club scene but also offers some personal, emotionally honest portraits of six individuals at the heart it. Fundamentally it’s about the nature of friendship, life and even survival against the odds, universal themes that everyone can relate to.

Dressed As a Girl had its world premiere at London’s BFI Flare in March this year, where it sold almost 1000 tickets over three screenings. Early reactions to the film have been overwhelming. “The film is both a record of a fascinating style of hyper-costumed performance and an insight into the fragile personal lives of these heroic public idols.” says Brian Robinson of The British Film Insitute

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The post Dressed As a Girl: The Documentary with High Hopes, High Heels, and High Drama appeared first on World of Wonder.

It’s Birthday, Bitch

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