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#OnThisGayDay: The NAMES Project Memorial AIDS Quilt is Shown for the First Time

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Photograph courtesy of The Names Project Foundation

 

October 11, 1987– The NAMES Project Memorial Quilt is shown for the first time.

The idea for a memorial quilt was conceived in 1985 by pioneering activist Cleve Jones during a candlelight march in remembrance of the 1978 murders of San Francisco Supervisor Harvey Milk and Mayor George Moscone. Jones had helped organize that annual candlelight march honoring Milk and Moscone. While planning the march, he learned that over 1,000 San Franciscans had been lost to HIV/AIDS. He asked each of his fellow marchers to write on placards the names of friends and loved ones who had died of AIDS. At the end of the march, Jones and others stood on ladders taping these placards to the walls of the San Francisco Federal Building. The wall of names looked like a patchwork quilt.

At that time, many people who died of HIV/AIDS-related causes did not receive funerals due to both the social stigma of HIV and the outright refusal by many funeral homes and cemeteries to handle the deceased’s remains. Lacking a memorial service or grave site, The Quilt was often the only opportunity friends and families had to remember and celebrate their loved ones’ lives.

The first showing of The Quilt was on this very day in 1987 on the National Mall in Washington DC. It covered a space larger than a football field with 1,920 panels (today it has over 49,000 panels). Over a three-day weekend, half a million people visited The Quilt.

It is enormous. Weighing more than 55 tons, it is the largest piece of community folk art in the world.

The Quilt was nominated for a Nobel Peace Prize in 1989. Common Threads: Stories From The Quilt won the Academy Award for Best Feature-Length Documentary that same year.

 The NAMES Project Foundation was formed in 1987 as the custodian of The Quilt and its archives, and to foster healing, heighten awareness, and inspire action in the struggle against HIV/AIDS.

Today, the foundation has an archive with the more than 49,000 panels that make up The Quilt professionally photographed in both 4″x 5″ transparencies and 35mm negative formats, creating a permanent visual record of the most compelling symbol of the Plague. The images have been digitized and are available on the website. The process continues, and will remain ongoing as long as new panels are submitted and new blocks sewn together. Let’s hope there are less and less as each year passes.

Most of the panels are accompanied by letters, biographies and photos, all of which speak to the experience of life in the age of HIV/AIDS, documenting the effect on those lost and those left behind. They are included in the archive.

This weekend, The Quilt is on view at Grace Cathedral in San Francisco.

Do you know someone remembered with a panel? I do. Too many.

You can “like” The Quilt on The Facebook and you help maintain The Quilt by going to http://www.aidsquilt.org/donate

The post #OnThisGayDay: The NAMES Project Memorial AIDS Quilt is Shown for the First Time appeared first on The WOW Report.


#BETHipHopAwards: Eminem Raps “We F*cking Hate Trump!” Watch

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Yes, we’ve had some issues with Eminem in the past, no doubt, but if you get stuck on that, you’ll miss this. Mather’s critique of Trump at the BET Hip Hop Awards last night shaded BLOTUS so much there was an mini-eclipse. Eminem raps at the beginning of the censored bleeped video,

Calm before the storm right here…

That’s an awfully hot coffee pot
should I drop it on Donald Trump?
Probably not.

We better give Obama props
Because what we got in office now is a kamikaze
That will probably cause a nuclear holocaust
And while the drama pops and he waits for sh*t to quiet down
He’ll just gas his plane up and fly around until the bombing stops

But this is his form of distraction
Plus he gets an enormous reaction
When he attacks the NFL so we focus on that
Instead of talking about Puerto Rico or gun reform for Nevada
All these horrible tragedies and he’s bored and he
Would rather cause a Twitter storm at the Packers”

MM went on in no uncertain terms to disavow ANY FAN of his who supports Trump.

Any fan of mine who’s a supporter of his
I’m drawing in the sand a line, you either for or against
And if you can’t decide on who like more and you split
On who you should stand beside, I’ll do it for you with this
The rest of America stand up
We love our military and we love our country
but we fucking hate Trump.

#WhatHeSaid

Watch.

(Photo, Screengrab; via Raw Story)

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#RHOWHReunion: Andy Cohen Wants to Referee Melania & Ivana Trump’s Catfight!

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On Monday, Melania shot back at a remark made by Trump‘s first wife, Ivana, during a interview on Good Morning America. Ivana Trump jokingly dubbed herself the “first lady” and Andy Cohen can’t contain his amazement.

Ivana, who was married to Trump from ’77 to ’92, told ABC‘s Amy Robach while promoting her soon-to-be-released book, Raising Trump.

I have the direct number to White House, but I no really want to call him there because Melania is there. I don’t want to cause any kind of jealousy or something like that because I’m basically first Trump wife.

I’m first lady, OK?“

In a statement, Melania’s spokeswoman called Ivana’s comments

attention seeking and self-serving noise.

FLOTUS’s rep said Melania,

plans to use her title and role to help children, not sell books. There is clearly no substance to this statement from an ex.

Andy Cohen, who is the executive producer of Bravo‘s Real Housewives reality TV franchise, was posivitly gleeful, tweeted,

This is actually happening. All the wives are fighting. Even I AM SPEECHLESS.

Only one person can mediate this! @FLOTUS #Ivana @itsmarlamaples @IvankaTrump please call me. Let’s do this. #RHOWHReunion“

(Photos, GMA, The White House; via The Hill)

The post #RHOWHReunion: Andy Cohen Wants to Referee Melania & Ivana Trump’s Catfight! appeared first on The WOW Report.

#WhenHairyMetNosey: Are Nasal Hair Extensions REALLY a “Thing” Now?

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WTF?!

Yes, nose hair extensions, kids. We’re clearly running out of new beauty trends and this one is stretching it to label it “beauty”. No, technically they’re not extensions, but rather false eye lashes stuck around the rim of a nostril, or both. The look is credited to @gret_chen_chen, on Instagram who captioned the photos with,

nose hair extension #nosehair #lashes #extensions #beauty #selfie #eyelashextensions #falselashes’. Clearly, this a look that’s about to go huge.

HUGE. But this makes my nose itch.

Nose hair extension #nosehair #lashes #extensions #beauty #selfie #eyelashextensions #falselashes #加藤一二三

A post shared by GretChen Chen (@gret_chen_chen) on

(Photo, Instagram; via Metro UK)

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Lindsay Lohan DEFENDS Harvey Weinstein In Bizarre Late-Night Rant: “Everyone Needs to Stop”

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Here we go again. Former star Lindsay Lohan, who has repeatedly beseeched us to give Trump a chance, is now apparently the only person on the planet who is on the pro-Harvey Wenstein bandwagon.

In a now-deleted Instagram story, she expressed her support for the accused sexual harasser, saying what’s happening to him is wrong and everyone needs to stop attacking him.

Huh?

Hi, this is Lindsay Lohan, uh, hi, I’m in Dubai, I’m home. Uh, uh, I feel very bad for Harvey Weinstein right now, I don’t think it’s right what’s going on. I think Georgina needs to take a stand and be there for her husband. And he’s never harmed me or did anything wrong to me. We’ve done several movies together, and so I think everyone needs to stop. I think it’s wrong. So, stand up.

Yuck.

She’s just so tiresome.

Watch the video here.

 

 

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Desperately Seeking Swifties: Taylor Swift Launches Lifestyle App

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It’s an interesting start for Taylor Swift’s new sound on Reputation. After being accused for stealing video concepts from Beyonce and her album release now a month away – TSwift broke her social media silence this weekend.

She commented on several fans’ Instagram stories and livestreams, complimenting their outfits, choreography and, in true Swift fashion, their cats.

The pop princess even went as far as commenting on multiple fans Instagram live streams.

“Just trying to get noticed over here,” the singer added in another.

If you ask me, I think the Shake It Off performer needs to buy another cat or fight some more ‘old Taylors’ in her spare time. You be the judge.

Clearly this media mayhem was to spark interest in her new lifestyle app, The Swift Life.

 

Image via Pacific Coast News.

The post Desperately Seeking Swifties: Taylor Swift Launches Lifestyle App appeared first on The WOW Report.

From the WOW Vault: Three Coming Out Stories from 2008’s “When I Knew”

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“From the Vault” is our EXCLUSIVE daily peek into the extensive library of WOW shows, interviews, and pop culture ephemera we’ve collected over the last three decades.

Today, of course, is National Coming Out Day. In honor of that, I thought we’d look back at the 2008 Cinemax special When I Knew.

Inspired by the book of the same name by Robert Trachtenburg, who served as a consultant on the film, Fenton Bailey and Randy Barbato (“The Eyes of Tammy Faye”) traveled the country to ask more than 150 people in five cities to talk about when they realized they were gay. These entertaining, insightful and moving interviews captured not only the “ah-ha!” moments, but also the moments when people first felt radically different from their friends and family.

Below, three coming out stories to help celebrate the day. (Be warned, though, you’re going to need a box of tissues for that first one. It’s a sad reminder that we still have a LOT of work left to do.)

Bailey and Barbato asked just one simple question: “When did you know?” When I Knew spotlights 16 of the interviewees – of different ages, sexes and lifestyles – who share their stories in a therapeutic and often liberating fashion. While the actual childhood experiences and initial emotions varied, many experienced similar feelings of isolation, confusion and fear that eventually led to recognition, acceptance, resolve and self-awareness.

The film opens with the filmmakers describing their own “when I knew” moments, and brings together the 16 subjects for an intimate group portrait. Though some of the stories are told with a sense of loss, most are proud affirmations of who these people are today, proving that recognizing and embracing one’s sexual orientation is essential to being true to oneself.

Notes co-director Barbato, ” ‘When I knew’ is the ‘ah-ha’ moment for gays and lesbians. It’s the moment that many of us realize we are different from our friends and family. Sadly, it can also be the moment we begin to hide and lie about ourselves. It can be a lonely time.”

As co-director Bailey explains, finding out you are gay is “the moment when you realize the world around you isn’t really designed for you…It’s very easy to forget when you knew. But I think it’s really important to remember.”

In January 2008, HBO Documentary Films presented the film with a corresponding panel at the Queer Lounge in Park City, Utah. All week, a video booth was available for anyone to share their “when I knew” stories.

HBO Documentary Films presents a CINEMAX Reel Life Event, WHEN I KNEW. Produced & directed by Fenton Bailey & Randy Barbato; based on the book “When I Knew,” by Robert Trachtenberg; edited by Marc Cohen; music composed by David Benjamin Steinberg; director of photography, David Kempner; casting producer, Richard Courtney; associate producer, Sham Ibrahim; co-producer, Mona Card. For HBO Documentary Films: supervising producer, John Hoffman; executive producer, Sheila Nevins.

 

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Disgraced Kentucky County Clerk Kim Davis (Remember Her?) Is Touring Romania to Encourage the Government to Ban LGBTQ Rights

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File under: “Seriously, WTF?”

Hate-mongering asshat Kim Davis – who infamously went to jail rather than issue marriage licenses to same-sex couples – is in Romania now, having meetings with high ranking officials with the Orthodox Church, giving speeches across the country, meeting with members of Parliament, and speaking to the media to encourage Romanians to take away the civil rights of gay people and change the country’s constitution to ban same-sex marriage.

Davis is traveling with Harry Mihet, Vice President of Legal Affairs and Chief Litigation Counsel for her attorneys at the religious right legal organization Liberty Counsel (a designated hate group, btw).

“I am so glad for this amazing opportunity to finally introduce Rowan County Clerk Kim Davis personally to my Romanian people,” said Mihet, who was born in the country. “Her story resonates loudly with them, and they are receiving her tearfully and very warmly, because they can still remember the not-so-long-ago days when they were themselves persecuted and imprisoned for their conscience. The freedom of conscience transcends national, cultural, religious and denominational lines, and Romanians are determined to prevent such injustice from ever happening again in their country.”

LGBTQ Nation notes: Under Romanian law, the constitution can be changed if at least 500,000 residents petition the government for a change. The Coalition for the Family, a religious right group backed by the church, has so far collected over 3 million signatures on the petition.

Groan.

Homophobia never dies, it just tours Romania like a freakin’ rockstar.

(Photo: MediaPunch)

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#IAmWhatIMakeup: Covergirl Rebrands Itself With Fab New Issa Rae Commercial

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Covergirl ditches their “Easy, Breezy, Beautiful” slogan in a stylish new rebranding campaign with Insecure star Issa Rae, Katy Perry, Ayesha Curry, 69-year-old beauty Maye Musk (mother of Elon!), motorcycle racer Shelina Moreda, and fitness guru Massy Arias. The commercial begins with a Toni Morrison quote from her 1992 novel Jazz, “What’s the world for you if you can’t make it up the way you want it?” The message (according to Covergirl) is that identity is what we shape it into—not what the world or anyone else does.

“Traditionally in the category, it had always been women being transformed for very superficial, vain reasons,” Katy Alonzo, director of Covergirl’s ad agency Droga5, told Fast Company. “In a lot of ways, it was because the category had been stuck in a male gaze. So we wanted to rewrite a lot of those conventions… What we wanted to do, through the talent we chose to work with, is honor who they are, their stories, and the context that beauty plays within their lives.”

Fab! Watch below. (Love the Jefferson Airplane song!)

The post #IAmWhatIMakeup: Covergirl Rebrands Itself With Fab New Issa Rae Commercial appeared first on The WOW Report.

“Dracula Cha Cha Cha” Is Our WTF Halloween Song of the Season

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I have had this retro-batshit crazy song in my head for about a month now, after hearing it in a TCM showing of the 1960 movie Two Weeks in Another Town. 

It’s Italian… and groovy as all get-out… Once you hear it, I GUARANTEE you’ll be singing it for the rest of your life.

Via Dangerous Minds:

The groovy tune (written by jazz composer, piano player, and crooner Bruno Martino) has also been covered by a long list of other musicians including experimental Australian band The Tango Saloon with the fucking glorious vocals of Mike Patton on their 2008 album appropriately titled Transylvania.

I have the original and the Tango Saloon versions below.

Really, screw “Monster Mash” – this is the ONLY song you could be playing at your Halloween party.

vampiro dal nero mantello [vampire from black cloak]
di notte tu succhi sul collo [at night you juice on the neck]
le donne di giovane età. [women of young age.]

Dracula Dracula Dra (cha cha cha)

coi bianchi affilati canini [white with sharp canine]
tu fai spaventare i bambini [you do frighten children]
le mamme le nonne ei papà. [the mothers and grandmothers dad.]

Ah! Ah! non far più lo spiritoso [not to make the most witty]
qualcuno può arrabbiarsi e darti uno schiaffo. [someone may get angry and give you slap.]

Ah! Ah! il tuo morso velenoso contagioso [your poisonous bite contagious]
potrebbe far venire un’infezione. [could be an infection.]

Dracula cha cha cha

sei forte sei nero sei bello [six strong six black are beautiful]
perchè non ti succhi un bel pollo [why not you juice a nice chicken]
e lasci le donne campare. [and let women to live]

Drácula, Drácula, Drá (cha cha chá)

Vampiro dal nero mantel.. [vampire from black cloak]

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TONIGHT: “Turn It Up!” A Benefit for Mexico and Puerto Rico at the Echoplex, Los Angeles

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The news may have moved on, but so many people still need your help!

Turn It Up! A Benefit for Puerto Rico & Mexico
Tonight night at the Echoplex
Doors 7:30pm, Show starts at 8pm

Tickets on sale HERE.

Performers include:
AB Soto, Alice Bag, Dorian Wood, Irene Diaz, Jessica Wild, La Victoria, Lysa Flores, Maya Jupiter, Monica Palacios, and Teri Gender Bender

Hosted by San Cha
Dj’s Crasslos & GFUNKTRECE

Organized by Alice Bag, Lysa Flores, & Rudy Bleu
Proceeds will go to Direct Relief

GO! GO! GO! GET INVOLVED! DONATE YOUR MONEY AND YOUR TIME! HELP THE PEOPLE OF MEXICO AND PUERTO RICO! (And hear some really great music!)

The post TONIGHT: “Turn It Up!” A Benefit for Mexico and Puerto Rico at the Echoplex, Los Angeles appeared first on The WOW Report.

#BornThisDay: Actor, Hugh Jackman

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Photograph: ©Scope Australia, PacificCoastNews

 

October 12, 1968– Hugh Jackman:

“I have a wife and kids, but the gay rumors have started. I guess it’s a sign that I’m moving up the ladder.”

Shocking, but I have never seen him as his most famous character, Wolverine. I avoid comic book films or anything Marvel. Still, Hugh Jackman is a favorite actor at my house.

With matinee idol looks and a perfect physique that should be nearly enough to fill the requirement for any movie star, Jackman is also sublimely skilled at swordplay, soft-shoe, singing show tunes, and he has a preternatural proficiency for picking roles that are commercially and artistically gratifying. His films have grossed over eight billion dollars worldwide.

Jackman enjoys a career that brings him awards and good reviews working on stage and on screen with roles as varied as that popular steel-clawed comic book anti-hero, an enigmatic prestidigitator, a singing providence-led ex-convict in early 19th century France, a time-traveling duke, and a monster killing bounty hunter.

On stage, in Australia, London and on Broadway, he moves easily between comedies, dramas and musicals with what Jackman calls a drive to be “perpetually curious and hungry, wanting to always get better”.

Jackman has a reputation for being one of the most professional and pleasant guys in showbiz.

Australian born Jackman began his acting career on stage, appearing in musicals in Melbourne and Sydney. He became known outside Australia when he played Curly, the male lead, in the 1998 Royal National Theatres much loved production of Oklahoma! to great acclaim in London. It is a production that was filmed and is available for you in the PBS Great Performances archives. That great performance brought him an Olivier Award nomination for Best Actor In A Musical. He also played Billy Bigelow in Rodgers And Hammerstein’s classic musical Carousel at Carnegie Hall in 2002.

He won a Tony Award for singing and dancing as gay entertainer Peter Allen in The Boy From Oz (2004). Plus, Jackman hosted the Tony Awards in 2003, 2004, and 2005, pleasing the crowd and the television viewing audiences and earning an Emmy Award. That’s right, it’s possible to win an Emmy for hosting the Tonys. How meta. He also did a splendid job as host of the Academy Awards in 2009, always a tough gig. But, you can’t win a Tony for hosting the Oscars.

Jackman:

“Doing the Broadway musical The Boy From Oz was a big turning point for me. My film career was going very well, and here was this 18-month commitment playing a flamboyantly gay character. It wasn’t what anyone considered a good career move, but I just knew it was the right thing to do. I knew the piece moved me and I knew it would move audiences, so I just truly committed to it. Whatever we do in this life, if it’s done for the right reasons, from the heart, the result almost becomes irrelevant; it’s the journey that matters. I’ll only follow my heart from here on out, which is why I have to return to the stage every now and then.”

His performance in the film version of the musical Les Misérables brought Jackman his first Oscar nomination and a Golden Globe Award win in 2013.

Unsurprising, Jackman was named People Magazine’s Sexiest Man Alive in 2008.

It seems that Jackman would mostly be identified with his famous, money making Wolverine in the X-Men series, a role he has done nine times, but he has also worked in smaller films including Woody Allen’s mystery Scoop (2006) opposite the female version of Jackman, Scarlett Johansson. He starred with Christian Bale in Chrisopher Nolan’s trippy The Prestige (2006), with the two hunks playing a pair of rival magicians in Victorian England.

Jackman has continued to bounce between stage and screen. In 2009, he starred with Daniel Craig on Broadway in the drama A Steady Rain by Keith Huff. I sure would have liked to have found employment as the dresser for that play! In 2015, he was back on Broadway in another drama, The River by Jez Butterworth.

Jackman and Daniel Craig made a unique place for themselves in the history of Broadway Cares/Equity Fights AIDS in 2009, when they raised $1,550,000 with curtain appeals during the run of A Steady Rain. Jackman raised another one million for Broadway Cares in 2011, during his run of his show Hugh Jackman: Back On Broadway.

Jackman as Logan in “X-Men: Days Of Future Past”, Twentieth Century Fox Film Corporation, Marvel Enterprises

 

After more than a decade playing a fan-favorite superhero, the totally jacked actor has made his final appearance as that furry character in this summer’s Logan, the latest of Wolverine’s standalone films in the X-Men franchise. Jackman was perfectly cast as the cigar-chomping Canadian mutant for the original X-Men film, and he’s stayed with the franchise ever since.

One of my own favorite Jackman flicks is in the underrated Australia (2008) opposite fellow Australian Nicole Kidman, directed by Sydney resident Baz Luhrmann. In this one, Jackman is often shirtless and wet.

In winter 2012, Jackman was honored with his own star on the Hollywood Walk Of Fame.  At the unveiling, Jackman stated:

“I believe this is the 2,487th star on the Walk Of Fame. However, apart from Lassie, I’m the only one who’s gotten it for playing the same character in 15 movies.”

I got all excited when I read that Jackman was filming The Front Runner, thinking that it was the long-anticipated film version of the great gay 1974 novel by Patricia Nell Warren, but instead it is a film about Gary Hart’s presidential campaign in 1988 that was derailed when he was caught with a girl on his lap on a boat. Also coming soon: The Greatest Showman a musical that celebrates P.T. Barnum, the man who came up with the idea of a big top, where Jackman will battle it out with Zac Efron for best chest; plus, Broadway 4D, about life in The Theatre, featuring Harvey Fierstein, Matthew Morrison and Christina Aguilera.

Jackman is adored by gay fans for his good-looks and hot bod, plus all that singing and dancing. Yet, he has had to dodge his own gay rumors. I even have a friend in the biz that insists that Jackman has had special men friends visiting his trailer on the set.

He has been married since 1996 to fellow actor Deborra-Lee Furness, 17 years his senior. Jackman claims the rumors “bug” his wife and he revealed she has a tough time ignoring the whispering:

“She goes: ‘It’s big. It’s everywhere!'”

The Jackmans live in Melbourne with their two adopted children. I sympathize about the gay rumors, I suppose, but I bristled a bit when they claimed that the talk was “offensive” and that the speculation is “frustrating”.

Jackman:

“If I was, I would be. It’s to me not the most interesting thing about a person anyway. I do get frustrated for Deb, because I see Deb go, ‘Ah, this is crazy’.”

“I have a terrific marriage, but unlike a lot of relationships where they ebb and flow, no matter what happens you fall deeper and deeper in love every day. It’s kind of the best thing that can happen to you. It’s thrilling.”

All the fuss and the denials make me appreciate George Clooney‘s statement that he refuses to deny the gay rumors because it makes it look like being gay is a bad thing.

I was going to post Jackman’s workout routine here, but I opted for eating donuts.

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October 12th: It’s YOUR Birthday, Bitch!

#QueerQuote: Joan Crawford

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Screenshot from” Mildred Pierce” (1945), public domain via Wikimedia Commons

 

“I love playing bitches. There’s a lot of bitch in every woman… and a lot in every man.”

Lucille LeSueur (1906 – 1977)

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The Gay Essentials: The 75 Albums Every Gay Man NEEDS to Own

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A primer for millennials on the 75 must-have albums they need to own, because whether they want to believe it or not, THERE ACTUALLY WAS MUSIC BEFORE BEYONCÉ. 

Screen shot 2014-06-23 at 9.28.17 AM Screen shot 2014-06-23 at 9.27.51 AM Screen shot 2014-06-23 at 9.27.05 AM

Some albums EVERYBODY needs to have. Albums like The Beatles Abby Road or Carol King’s Tapestry or, I don’t know, Duran Duran’s Rio. (I’m from the ’80s). Those albums aren’t included here. That’s not what we’re doing. These are the GAY ESSENTIALS. It’s the music that captivated, inspired, and defined generations of gay men… before Gaga. It’s a syllabus of required listening that every gay man absolutely NEEDS to hear before he dies. It’s Homo 101 on the WOW Report.

Like my previous list of the 50 Movies Every Gay Man Needs to Watch, the music here is aimed at millennials and includes mostly pre-90s music that I think they really ought to be acquainted with.

So here we go. The 75 Albums every gay man NEEDS to own (in no particular order, get your panties out of a bunch):

1. Judy Garland, Judy at Carnegie Hall: Universally acknowledged as “The Greatest Night in Show Business History,” Judy’s Carnegie Hall performance is absolutely mandatory, there’s no two ways about it. Judy was pretty much a slurry old has-been by 1961 – a drug addict who couldn’t be counted on to even show up half the time, much less make it through a show. But this time was different. When she took to the stage at Carnegie Hall, she opened her mouth and she sang and she sang until she BROUGHT THE MOTHERFUCKING HOUSE DOWN. She sang like she was drowning and the notes were oxygen. Nobody has ever lived each phrase, each line, each word like Judy. Not Beyonce. Not Adele. Not Amy Winehouse. This is the real deal. You aren’t really gay until you’ve done Judy at Carnegie Hall.

2. Barbra Streisand, The Second Barbra Streisand Album: Any of those first albums will do, actually. Any of the music she made before the ego and the brittle perfectionism got in the way of THAT VOICE. Barbra, unhinged, is a force of nature. Listening to her as she careens wildly from note to note is absolutely intoxicating, and when you hear, say, “Like a Straw in the Wind” or “I Don’t Care Much,” suddenly you’ll understand the Church of Barbra.

3. Billie Holiday, any Billy Holiday collection. Billie doesn’t sing so much as open a vein onstage and bleed for you. Poor thing. She was so beat down – by poverty, by drugs, by racism, by the men in her life – it’s a wonder she could sing at all. But, by god, she dragged herself onto that stage every night and infused every note of every song with that heartache and despair. Her unique voice and phrasing isn’t always pretty, but you need to experience it. It will actually hurt your heart to hear it.

4. David Bowie, Ziggy Stardust: Glam-Rock at its best. Loosely based on a story of a fictional alien rock superstar named Ziggy Stardust, this album did more for generations of sexually ambiguous freaks and outsiders than a million gay pride parades.

5. The Velvet Underground and Nico: Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico – with its songs about drug abuse, hustlers, S&M and all sorts of fabulous sexual deviancy – shows the kids that their generation didn’t invent sleaze and decadence.

6. Lou Reed, Transformer: Dismissed by Rolling Stone when it came out as “artsy-fartsy, sort of homo stuff,” that’s exactly reason you’re going to love it. Songs like “Perfect Day,” “Satellite of Love,” “Andy’s Chest,” and of course “Walk on the Wild Side” still speak to us today and remain important hallmarks of gay culture.

7. T-Rex, The Slider: The mascara’d beauty of Marc Bolan coupled with over-the-top glam-rock power chords make this a must-have album for every gay cock-rocker. Bulges and glitter, baby.

8. Blondie, Parallel Lines: See why gay men of a certain age still SWOON when they see a pic of legendary frontwoman Debbie Harry. With her combination of underground grit and old-school glamour, she made the testosterone-heavy punk scene accessible to gay men. Every single song on this album is sheer perfection.

9. Siouxsie & the Banshees, Hyaena: There is a whole generation of gay men (myself included) who openly weep at the those first chords of “Dear Prudence.” Wither our lost youth?

10. The Smiths, Meat Is Murder: Ditto “How Soon is Now”

11. Cher What can we say about Cher that hasn’t been said a gazillion times? She’s timeless. She’s camp. She’s the ultimate gay goddess. Cher’s ’70s disco albums are probably her most fun, although there was usually only one KILLER single on it and A LOT of filler. So go for a “Best of” collection. Just make sure that it has “Bang Bang,” “Half-Breed,” “Take Me Home,” “Dark Lady,” and “Gypsies, Tramps, and Thieves,” of course.

12. Diana Ross, Diana: Diana reinvents herself again – post-Supremes, post-disco era – with a fresh new sound and a youthful new image. And even though “I’m Coming Out” was a huge gay anthem, at the time straight people had NOT A CLUE that’s what it was actually about. Which made watching them sing along to it on the radio ABSOLUTELY HYSTERICAL.

13. Madonna, The Immaculate Collection: Before she was a gristly old lady embarrassing herself with younger guys and flashing her nips at concerts, she really did change the world. See what the fuss was about with this “Best of” collection.

14. Kylie Minogue one of the Best of or Greatest Remixes albums because she’s Kylie and nobody loves you more than Kylie does.

15. ABBA, Gold: The perfect party album. Livens up any gathering.

16. Grace Jones, Nightclubbing: The most glamorous most provacative genderfuck (YEAH, I SAID IT!) ever, Grace has been the object of fetishistic worship for gay men since the early ’70s. When you saw this album in someone’s dorm room, YOU KNEW they were gay

17. Sylvester, Step II:  Our Sister of the Heavenly Voice made everybody feel mighty real on the dance floor. Listening to these songs was the VERY ESSENCE of the ’70s gay experience.

18. Deelite, World Clique: Only THE GREATEST ALBUM OF THE ’90s, of course. Local scenesters made good. When Deelite broke out, it was a victory for every clubkid, every drag queen, and every dancefloor superstar. Lady Miss Kier was one of us, and the love and pride we felt for her was overwhelming. I’m tearing up just writing this. World Clique wasn’t just a great album, it was the validation of an entire LIFESTYLE.

19. RuPaul, Supermodel: And then there’s Ru. And the album that started the drag revolution. Fabulous beyond fabulous, of course, and one for the ages.

20. Rocky Horror Picture Show: Lipsyncing along to “Sweet Transvestite” and “Time Warp” alone in your room is something all little gay boys should experience, don’t you think?

21. Dream Girls: Not the movie version. The original cast album featuring Jennifer Holliday, pleeeeeeeease. If you’ve never heard her versions of “And I Am Telling You” and “I Am Changing” WHAT ARE YOU DOING READING THIS LIST? Hurry. Go to Youtube IMMEDIATELY. Then get the whole album.

22. CabaretLiza, Joel Grey, music by Kander & Ebb, what’s not to love? Not one throw-away track on the whole album. “Maybe This Time,” “Money,” Mein Herr”… They’re classics for a reason.

23. Hedwig and the Angry Inch  It doesn’t always get better, does it? Sometimes life gets worse. John Cameron Mitchell knows what it’s like to be too sensitive for this world, to be ahead of your time, to be misunderstood. Howl along with Hedwig, honey. Get it all out. 

24. Little Shop of Horrors: Marvelous camp-fest featuring a Motown-singing, man-eating plant. But it’s the ballads – “Suddenly Seymour” and the heartbreaking “Somewhere That’s Green” – that make this a must-have for every gay man longing for Mr Right.

25. Rent: I don’t know. I’ve never seen it. But there seems to be an absolute religion that’s sprouted up around it, so I’m including it.

26. Queen, Day at the Races: Frontman Freddie Mercury’s bombastic, stadium-filling gayness was one of those weird, unexplainable ’70s thing. I guess it was the power of the music and the purity of Freddie’s voice that transcended sexual identity and brought gays and straights together.

27. Culture Club, Color by Numbers: It’s Culture Club at the very height of their popularity, with perfect MTV-ready songs sung by the quintessential ’80s pop confection, Boy George. Doesn’t get better than this.

28. Malcom McLaren, Fans: The mastermind behind punk rock attempted to fuse opera with hip-hop in this 1984 album. The result was something of a flop, but a glorious flop, and, oh, how the glitterati loved it. “Madame Butterfly” was absolutely the height of chic that year, and to this day nothing says FAAAAAAABULOUS like those opening chords.

29. The Cocteau Twins, The Pink Opaque: The title here just sums up the sound in a nutshell. It’s the aural equivialent of an out-of-body experience. Perfect k-hole music.

30. Bronski Beat, Age of Consent: Angsty gay boys to the dance floor please! Haircuts + politically-charged gay anthems = Dance pop perfection. Every song on this album speaks to the solitary, disenfranchised homo sobbing alone in the corner.

31. Erasure, Wonderland: Same message as Bronski Beat but with a slightly lighter tone. This is the mainstreaming of the gay agenda aimed squarely at the MTV audience.

32. Marc Almond, Mother Fist and her Five Daughters: Marc is the80s equivilant of Kurt Weill and his music speaks to the eternal, dark underbelly of gay culture. He takes that Wildean adage of looking at the stars from the muck of the gutter to new extremes. It’s art. But it’s raunchy art. And you can dance to it. So… you’re going to love it.

33. JobriathLonely Planet Boy: A super-gay glam-rock god who was unfairly relegated to the dustbin of pop culture history, his music has been described as a cross between early 1970s albums, with some decidedly Jaggeresque vocals. His lyrics combine science fiction imagery with S&M themes and tributes to female movie icons. It’s all wildly flamboyant and perversely over-the-top, trust me, you’ll love it.

34. Dead or Alive, Youthquake: Dead or Alive may have arrived in Culture Club’s wake, but they were freakier, more fetishistic, and kind of more fun. George wasn’t wearing ass-less chaps and a jockstrap like his evil twin, Pete Burns. And whereas George coyly sang about karma chameleons and churches with poisoned minds, Pete just put it out there: He wanted to fuck. Hard. Now.

35. Missing Persons, Session M:  Frontwoman Dale Bozio was Gaga before Gaga. The plexiglass bra, the kooky colored hair, that NOSE – watch the videos for “Words” and “Destination Unknown” and tell me she isn’t sitting at home every night, sobbing and cutting herself watching Gaga videos.

36. Berlin, Pleasure Victim: The song “Sex” hit like a bombshell in 1983. It’s message that literally anything goes in the bedroom was both titillating and dangerous in a decade that was just waking up to the danger AIDS.

37. Nina Hagen, Any of the following albums – Nina Hagen Band, NunSexMonkRock, Fearless, or Ekstasy will do. Nina, of course, is blessed with a vivid and commanding voice that can literally do anything, from gutteral growls to bird-like chirps. Her music is so fun, you don’t need to speak German to enjoy it.

38. Bjork, Debut: The ultimate ’90s alt-girl with a hyper-specific voice that can go from 0 to 60 in one note.

39. Yma Sumac, Legend of the Sun Virgin: The Peruvian soprano with the four-octave voice was always a bit of a mystery: Was she an Incan princess, as she claimed? Or a Brooklyn housewife named Amy Camus (Yma Sumac spelt backwards)? Who cares. The voice. The music. The overall nuttiness. It’s euphoric.

40. Klaus Nomi, Klaus Nomi: File under: Know Your Gay Icons. The highly theatrical art-world star looked like a New Wave pierrot and sang with an other-worldly operatic falsetto. Visionary New York underground chic at its finest.

41. Divine, The Story So Far: Not much of a singer, granted, but a helluva performer, and if the music on these tracks is a little generic, the sheer force of her personality will win you over.

42. Eartha Kitt, Purr-fect:Greatest Hits:  Eartha was sexy, she was smart, she sang about gold diggers, cha cha heels, and lusting after muscle men. She was more of a  drag queen than most drag queens. Discover her provocative pre-Catwoman career.

43. Donna Summer, Bad Girls: The quintessential disco album, a must-have for ’70s-themed parties. 

44. Millie Jackson, Live and Outrageous: A primer for every bad-ass, loud-mouthed, shit-talking drag queen out there. With extended monologues about cheating men and kicking the ass, you’ll see this is still one thoroughly modern Millie.

45. Patti Labelle, Spirits in It:  Her rendition of “Somewhere Over the Rainbow” is probably the gayest song of all time. Listening it automatically turns straight men into foot-stomping, finger-snapping drag queens. By the time she has belted out that last note, you are literally tucked and wearing a wig.

46. Bette Midler, The Divine Miss M: It’s hard to imagine the seismic effect this album had gay culture in the ’70s, but oh lordy, it did. There wasn’t a gay man from WeHo to P-Town that didn’t have this on their turntable every waking moment of their day. It was EVERYTHING. It was LIFE. If Beyonce and Gaga and Lana Del Rey and Katy Perry and Rihanna all sang “I Am What I Am” to a throbbing disco beat, it wouldn’t be HALF as gay – or as popular – as this album was.

47. Liza Minnelli, Liza with a Z:  Based on the groundbreaking 1972 television concert (produced by Fred Ebb and Bob Fosse, with costumes by Halston) Liza with a Z was a fizzy combination of popular songs and standards, music from Cabaret, and songs specifically written for her by Kander and Ebb that helped cement her ’70s it-girl status. You can’t listen to it without gasping at the powerhouse she once was. Truly, her mother’s daughter.

48. Nancy Sinatra, Boots: Pop nepotism at its finest. Nancy had perfect look for the time, and the perfect pop sound for the time. And to this DAY, drag queens can still lipsync to “Boots” and it feels just as fresh as the first time you saw it.

49. Sade, Diamond Life: And here’s your music to fuck to. Diamond Life set the mood. When somebody put that album on, you knew your were about to get plowed. But GOOD.

50. George Michael, Faith: The ultimate ’80s A-gay made his solo debut with this album, and the QUEENS WENT BANANAS FOR IT. Every single song was better than the one before it. “Faith,” “I want Your Sex,” “Father Figure,” “Kissing a Fool” – Why, he was the new Elton John! Such a magical time in pop.

51. Kate Bush, The Kick Inside:  That shocking  pixie voice singing those highbrow ballads, Kate Bush is so odd, but so compelling. She is a complete original.

52. Tori Amos, Little Earthquakes: The alt-rock salve for your sexually-damaged soul.

53. Yaz, Upstairs at Erics and You & Me BothThe criminally underrated dance goddess Alison Moyet still sounds incredibly fresh today. This is electronic music with soul. There is no excuse for you not to have these two albums. Period.

54. The Carpenters, Singles: The syrupy-sweet brother/sister duo consistently churned out hit after hit for 70’s AM Radio. Often critically panned as fluff, but universally idolized by generations of tomboys and delicate ladyboys. (And Karen Carpenter’s shocking death from anorexia in 1983 made her a weird camp icon.)

55. The Partridge Family, Greatest Hits: The “band” was a studio manufactured result of the hit television show of the same name. Their success can be attributed as the blueprint of modern-day cross-merchandising. David Cassidy was a hot teenage dream that little girls, and many little boys, understood very well…  Without Cassidy there would be no Bieber, no 1 Direction… but beware, his rise was as swift as his fall. A cautionary tale for the would-be pop star.

56. Dionne Warwick, Best of: Her partnership with prolific songwriters Burt Bacharach and Hal David made her one of the biggest hit maker of the rock era. With 56 singles making the hot 100 between 1962 and 1988 her honey/whiskey voice inspired generations of love-hungry boys and female impersonators. She was also an early champion of AIDs awareness with financial proceeds from her superstar collaboration with Elton John, Stevie wonder and Gladys knight with “That’s What Friends Are For” going to AIDS research.

57. Patsy Cline, Best Of: Patsy was a timeless, unparalleled pioneer for female performers. Her brash, feisty rope-’em-and-tie-’em-up sensibilities have struck a chord with legions of gay fans who idolize her strong, no-nonsense – yet incredibly heartbreaking – song stylings. Also: It doesn’t hurt to have Jessica Lange star in your posthumous life story either.

58. Loretta Lynn, Coal Miner’s Daughter: Loretta was country when country wasn’t cool. Ultimately, she’s an American success story, rising from a dirt poor, child bride in the seeded hills of Kentucky to become a bonafide, Wesson Oil-fried superstar. She sang about subjects considered risque and taboo – birth control, adultery, alcoholism – during a time when women and minorities had few rights and fewer national platforms for vocalizing their opinions. A classic champion for the underdog in us all.

59. Dolly Parton any Best of collection (as long as it has “Jolene” and “Coat of Many Colors” on it): Dolly loves and understands her LGBT fan base just as much as we love and understand her. As Dolly often states: “I’ve always said it’s a good thing I was born a woman or I would have been a drag queen.” As gay men, we relate to her flamboyance. We also love her outgoing personality, and her unwavering mantra of acceptance. She inspires us all to be who we are.

60. Dusty Springfield, Dusty in Memphis: With Dusty, it’s all about her zeitgeist-y look – with those the big, false eyelashes and that peroxide bouffant – and those theatrical hand gestures that every drag queen emulates, knowingly or unknowingly (I’m looking at you, Lady Bunny.) Blue-eyed soul at it’s absolute best.

61. Janis Ian, Between the Lines: Janis was an ugly girl who sang songs for ugly girls, and what lonely teenage gay boy can’t relate to lyrics like:

And those of us with ravaged faces
Lacking in the social graces
Desperately remained at home
Inventing lovers on the phone
Who called to say “come dance with me”
And murmured vague obscenities
It isn’t all it seems at seventeen…

62. Janis Joplin, Greatest Hits: Proof that you didn’t have to be pretty to make it in rock. You could be ugly and messy and have demons and not fit in – and still be an icon. Janis was blatently bisexual in a time when that was still SHOCKING. She screamed for peace, she screamed for equality, and lived life on her own terms. She might have been a mess, but she was a mega-talented mess – a force of nature, really – and even though she paid for it with her untimely death, Janis still speaks to us today.

63. Stevie Nicks, Bella Donna: What is it about Stevie? Obviously, she touches something primal in gay men. All that twirling and lace and chiffon and witchy wackiness speaks to us on a deep level. She does her own thing. She goes her own way. She’s deep. She’s profound. She still plays dress up. She believes in magic. She’s the best of us and everything we want to be.

64. The Bodyguard Soundtrack:  Whitney yeah yeah yeah, but get it for Drag Race legend Michelle Visage and her big Soul System hit “Lovely Day.”

65. Cyndi Lauper, She’s So Unusual: She was just SO UNUSUAL. Unlike anything we’d seen before. Not quite punk. Not quite new wave. She ushered in a new kind of infectious anything-goes ’80s style that CHANGED THE WORLD. And the songs! Every one of them a perfect pop cupcake with sprinkles. Cyndi is another FOREVER ICON whose message of celebrating freaks and outsiders has always endeared her to gay audiences.

66. Janet Jackson, Control: The year was 1986. Suddenly, just like THAT, Janet Jackson was grown up, and suddenly, just like THAT, she was a FORCE TO BE RECKONED WITH. It was the year her brother began showing signs of eccentricity that made him harder and harder to relate to. Janet had the same towering talent, but was one of us. Janet was our SISTER, too. Every queen understood her need to TAKE CONTROL, to assert herself. The album was a giant metaphor for “coming out” to your family, and Lord, how we loved her for it.

67. Tina Turner, Private Dancer:  It’s a jaw-dropping story of redemption and one of the greatest comebacks of all time. Tina’s iconic backstory of triumphing over adversity, of overcoming her brutal marriage to Ike Turner, and returning to the spotlight again – on her own terms – made her an unlikely MTV superstar at age 45.  Oh yeah, AND it’s a great album, too.

68. B-52s, The B-52s or Wild Planet  either one. The ultimate after-hour party albums.

69. Gershwin, The Essential George Gershwin:  Because you gotta class it up sometimes.

70. Cole Porter, The Very Best of Cole Porter: Witty, urbane, and chic-as-fuck, these ditties are really what we ought to aspire to as gay men. Just saying’.

71. Olivia Newton John, ONJ (Greatest Hits): You can have your ’80s “Physical” Olivia. You can even have Grease Olivia. For my money, it’s early ’80s soft-rock songbird Olivia that’s the go-to when I’m sad or lonely. Her “Best of” early hits on the ONJ album include classic sobbing-alone-in-your-kitchen-cupboard songs like “If Not For You,” “Let Me Be There,” “If You Love Me Let Me Know,”  “Please Mister Please,” “Have You Never Been Mellow,” “Sam,” and  “I Honestly Love You.” Trust me, you NEED this album.

72. Vince Giraldi, A Charlie Brown Christmas: How gays do Christmas music.

73. Whitney Houston: Whitney Houston: It was the album that introduced us to the powerhouse voice, the silky stylings, and the show-stopping glamour that was Whitney. She was gorgeous, classy, talented… she was our ultimate pop princess . We projected all our fantasies onto her. Of course, it was all smoke and mirrors, as we would later learn.  In reality, she was a nutty old crack whore – “BOOOOOBBBY!” – but for just a little while she was pure perfection.

74. En Vogue, Funky Divas: It was that magical ’60s girl-group aesthetic  with a ’90s twist. With their silky-smooth harmonies, En Vogue effortless crossed over from R&B to pop, and without them, there would be no Destiny’s Child, and no Beyonce. Give them all your thanks.

75. Whatever Album I’ve Forgotten. Whatever you’re INCENSED that I left off, plug it in here.

Agree? Disagree? Tweet me @JSJdarling with your thoughts.

(A big thank you to my friend Brett from Texas who sat on the phone with me for HOURS arguing endlessly over who should stay, who should go, and which album defined who and why.)

UPDATE: Cannot BELIEVE I neglected to list Pet Shop Boys, Eurythmics, Frankie Goes to Hollywood, Spice Girls, Joni Mitchell and everyone else you’ve been tweeting me. Mea culpa. I could have easily made this list 100 or even 200.

The post The Gay Essentials: The 75 Albums Every Gay Man NEEDS to Own appeared first on The WOW Report.


Two Absolutely Terrifying Short Movies: “Bedfellows” and “He Dies at the End”

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Today we have two genuinely scary, poop-in-your-pants horror shorts. Don’t watch alone. Or with the lights off. TRUST ME! 

The first: “Bedfellows.” A woman in bed with her boyfriend gets a call in the middle of the night from her boyfriend. But if he’s not there then…? Watch it below.

The second “He Dies at the End.” The clue’s in the title, right? Wrong. An almost unbearable build up, involving just a man and a computer, to an ending which is, well, we won’t ruin it. Watch it below.

(via The Shortlist)

The post Two Absolutely Terrifying Short Movies: “Bedfellows” and “He Dies at the End” appeared first on The WOW Report.

From the WOW Vault: Divine David Is Let Loose on the Streets of London (1998)

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“From the Vault” is our EXCLUSIVE daily peek into the extensive library of WOW shows, interviews, and pop culture ephemera we’ve collected over the last three decades.

Hang on to your wigs, kiddies. For today’s #tbt, we’re showing a truly demented clip from the first episode of “The Divine David Presents”  (Channel 4 Television Corporation, UK, 1998) in which the brilliant drag terrorist goes to the streets of London to ask about “life and the avant-garde.” It’s LITERALLY laugh out loud funny. I strongly urge you to drop whatever you’re doing and fall into the hyper-literate k-hole that is Divine David‘s comedy.

Divine David is the ultra-camp persona of legendary British performance artist/avant-garde cabaret artist/singer/actor/comedian and film director David Hoyle.

via Wikipedia:

His performances are known to combine many disparate elements, from satirical comedy to painting, surrealism and even striptease, much of which is aggressive in nature. Himself homosexual, Hoyle’s work has often focused on themes in the LGBTQ community, attacking what he sees as dominant trends in “bourgeois Britain and the materialistic-hedonistic gay scene”.[1] His performances have led him to become “something of a legend” on the London cabaret circuit.

Seek out more Divine David on YouTube. You won’t regret it.

The post From the WOW Vault: Divine David Is Let Loose on the Streets of London (1998) appeared first on The WOW Report.

James Van Der Beek Talks About Early Sexual Harassment He Endured When He First Came to Hollywood

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James Van Der Beek joins the growing chorus of Hollywood stars breaking their silence about sexual harassment they’ve endured at the hands of industry executives.

“I’ve had my ass grabbed by older, powerful men, I’ve had them corner me in inappropriate sexual conversations when I was much younger,” he wrote on Twitter this morning. “I understand the shame, powerlessness & inability to blow the whistle. There’s a power dynamic that feels impossible to overcome.”

 

Salon has this to say about the spate of men (Terry Crews, Rob Schneider) coming forward, and how it doesn’t (and shouldn’t) take away from the urgency in addressing sexual violence against women.

No doubt, Women still make up majority of victims of sexual harassment and assault, but the number of men coming forth with their stories of abuse is rising. In 2011, men made up 16.1 percent of complaints of sexual harassment. By 2013 that number increased to 17.6 percent, according to harassment charges filed to the U.S. Equal Employment Opportunity Commission. One out of every 10 rape victims one is male, RAINN reports. A National Crime Victimization Survey found that 38 percent of sexual violence incidents in households were against men.

While shame is something sexual abuse victims of all genders face, men have to navigate a series of barriers somewhat different from women when coming forward with their stories. As Slate explained, even the FBI definition of rape had long left out men: “For years, the FBI defined forcible rape, for data collecting purposes, as ‘the carnal knowledge of a female forcibly and against her will.’” This description was not rectified until 2012.

Traditional and archaic standards associated with masculinity and vulnerability have not helped to open up space for men to talk about their own experiences of sexual violence. Indeed, trying to appear “strong,” trying to appear like a “real man” often prevents victims from coming forward and beginning the healing process. In attempting to meet society’s standard of the tough, masculine male, victimized men often make themselves weaker, opening themselves up to untreated PTSD and other forms of mental illness, substance abuse and suicide. It’s something we’ve all seen in the wake of Church-abuse scandals and studies of prison populations, but the footprint of sexual harassment and sexual violence toward men is far wider than that.

Sexual abuse against men cannot be normalized and a reckoning of the way the power inherent in rape culture also affects men does not take away from the prominence or urgency in addressing sexual violence against women. Men can be our allies in the fight for justice and in the face of sexual assault, but we must acknowledge that sometimes they can also be survivors.

Food for thought.

The post James Van Der Beek Talks About Early Sexual Harassment He Endured When He First Came to Hollywood appeared first on The WOW Report.

WTF OTD: Buffalo Sauce-Flavored Lattes Are a Thing Now

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It just might be a sign of the coming Apocalypse: The Tim Horton restaurant chain is introducing a “Buffalo Latte” that combines espresso, sweet mocha, and a tangy Buffalo sauce.

The reason? Well, according to Stephen Goldstein, regional president of Tim Hortons US:

“Tim Hortons and Buffalo sauce were both born in 1964, so why not take these two Buffalo staples and combine them?” he said in a press release. “The unlikely pairing of sweet mocha and tangy Buffalo sauce come together to create an unexpectedly delicious sweet and spicy treat we hope our guests will enjoy.”

So far it’s only available at two locations in Buffalo, New York, but I’m sure if it really takes off, you can expect them EVERYWHERE.

A few reactions below.

The post WTF OTD: Buffalo Sauce-Flavored Lattes Are a Thing Now appeared first on The WOW Report.

It’s Back to the Upside Down in the Kick-Ass New “Stranger Things” Season 2 Trailer

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