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Howbadah? “Cash Me Outside” Girl Danielle Bregoli Pays Her Mother’s $65k Mortgage for Christmas

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Rapper and social media personality Danielle Bregoli, who shot to fame on a 2016 episode of the Dr Phil Show, gave her mother $65k for Christmas in order to help pay off her mortgage. “Merry Christmas, bitch!” she says in the online video, as she hands her an envelope. Her mother begins to cry after she opens the envelope and reads Danielle’s message. Very sweet and good for her for making bank and dong some good. I guess?

Watch below.


Legendary Met Opera Conductor James Levine Accused of Molesting Teen Boy

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James Levine, the Metropolitan’s legendary music director from 1976 until last year, and now the opera’s director emeritus, has been accused of molesting a teenage boy back in the 1980s. The alleged abuse continued for several years, according to a police report filed in October of last year.

In a statement to The New York Times, Met officials stated that they have been aware of the allegations against the Grammy award-winning artist since the report was filed, but had taken no action.

“At the time Jim said that the charges were completely false, and we didn’t hear anything further from the police,” the Met’s general manager, Peter Gelb, told the Times.

Now, Gelb said, “we need to determine if these charges are true and, if they are, take appropriate action. We will now be conducting our own investigation with outside resources.”

The report was filed through the Lake Forest Police Department in Illinois, but was done nine years after the statute of limitations on a possible child sex crime in Illinois had expired, according to the New York Post.

Via HuffPo:

In the report, the alleged victim, who is now 48, described being molested by Levine beginning when he was 15 and Levine, now 74, was in his early 40s. This followed him first meeting Levine at a summer music event in Illinois with his parents.

“It nearly destroyed my family and almost led me to suicide,” he said of the alleged abuse in the police report. “I felt alone and afraid. He was trying to seduce me. I couldn’t see this. Now I can.”

The man said that as a teenager he saw Levine as a mentor, who gave him gifts like conductor batons and encouraged him to come to New York to audition as a conductor.

He said he followed Levine’s instructions, though he found himself confused by his behavior toward him. Initially, it was just uncomfortable hand-holding in Levine’s car, he said. But eventually, he said Levine would masturbate in front of him and, as he got older, he said the conductor inappropriately touched and fondled him. This abuse continued after he turned 18, he said.

“Levine was not a person you ever said no to,” the man told police. “He inflicted shame and guilt on me. Making [it] hard for me to see the wrong. Emotionally I have been hurt by this and confused and paralyzed.”

The man said he told his mother about the abuse in 1993, and in 2016 went to the police following the advice of a former Met board member. According to the police report, Greg Sandow, who writes about classical music and was questioned by police, told a detective that two other men had contacted him with similar allegations of abuse by Levine.

Sandow, in an email to HuffPost on Sunday, confirmed his communication with a Lake Forest police detective in December of 2016 about the allegations of abuse. “If these stories really are true, then they need to come out,” he said.

Levine did not immediately respond to a HuffPost request for comment through a representative.

Levine, who was also the music director of the Boston Symphony Orchestra for seven seasons, has been nominated for 37 Grammy Awards and has won 10. He was a Kennedy Center honoree in 2002 for his artistic contributions and was presented the award by then-President George W Bush.

The Boston Symphony has denied knowing about the allegations, saying:

It’s a New Transformations! James Mansfield Gives Me a Very Jaymes Mansfieldian Makeover!

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This one has been incubating for about nine months – we filmed it before season 9 even aired! I’m so glad it’s finally seeing the light of day! Squeaky little kook Jaymes Mansfield is in the transformation studios to five me a blonde bunny makeover and to dish about what was the then-still-upcoming season. The result is absolutely adorable, you HAVE to watch below!

Lewis Hamilton Apologizes After Shaming His Nephew for Wearing a Princess Dress: “I Hope I Can be Forgiven for this Lapse in Judgement”

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Four-time Formula 1 world champion Lewis Hamilton publicly shamed his nephew for asking for, then wearing, a princess dress for Christmas. In the now deleted video he writes:

“I’m so sad right now, look at my nephew. Why are you wearing a princess dress? Is this what you got for Christmas? Why did you ask for a princess dress for Christmas? Boys don’t wear princess dresses!”

After massive blowback from the Twitterati, he apologized, saying

“Yesterday I was playing around with my nephew and realised that my words were inappropriate so I removed the post. I meant no harm and did not mean to offend anyone at all. I love that my nephew feels free to express himself as we all should. [surejan.gif] My deepest apologies for my behaviour as I realise it is really not acceptable for anyone, no matter where you are from, to marginalise or stereotype anyone. I have always been in support of anyone living their life exactly how they wish and I hope I can be forgiven for this lapse in judgement”

 

(via BBC; photos MediaPunch and Instagram)

#BornThisDay: Marlene Dietrich

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In “Dishonored” (1931), Eugene Robert Richee, National Portrait Gallery, NPR via YouTube

 

December 27, 1901– Marlene Dietrich:

“I am at heart a gentleman.”

Do you continue to find her to be fabulous? I do. She had quite the gay life. Marie Magdalene Dietrich, the smoky voiced Gay Icon, always ended her cabaret show in the very dangerously conservative 1950s with this toast:

“Please try to be gay tonight as I know it is so difficult to be gay in the morning.”

She had her own brand of dangerous glamour and she carried a smoky air of decadence to her work and persona. Blonde, Teutonic, with high cheekbones and a heavy lower lip, displaying the artifice of languor, Dietrich seduced audiences by innuendo.

Dietrich is an Ultra-Icon and she had a personal relationship with Gayness. She picked her men for eye-candy and her women for love, lust and laughs. She was a movie star when movie stars were movie stars.

Dietrich’s thing was to be idolized, indomitable and indifferent. She didn’t like mistakes. She was a perfectionist. When her mentor, Joseph vonSternberg, the director of early films: The Blue Angel (1930), Morocco (1930), and The Devil Is A Woman (1935), would not relinquish control to her, she gave him up. Like Mae West, Dietrich didn’t let a little thing like a film business run by men tell her what she could and couldn’t do.

Dietrich possessed a profoundly complex personality, including her attitude about sexuality. She had a major magnetism for gay people from the very beginnings of her career: the campiness of her films, her casual approach toward convention, the trouser-wearing that nearly got her arrested, her expression of world-weary disillusion, and, of course, her marvelous voice.

German born Dietrich was bravely Anti-Nazi during WW II. She turned her back on her native country and for four years she actively worked against Adolf Hitler and his brutal band of bad baddies. For her courage and her commitment to the Allied cause, she was awarded the Legion d’Honneur in France and the Congressional Medal Of Honor in the USA, both nations’ highest honors that can be bestowed on a civilian.

Dietrich was an atheist, abandoning the Lutheran faith:

“If God exists, he needs to review his plan.”

But, she had honor, humor, and humanity. At a time when it could not have been easily accepted, she gave the world her own eye-popping style of sexual liberation. Fred Astaire stated that no one wore a tuxedo as well as Dietrich. She was a woman ahead of her time.

dietrich-3-768x512

via YouTube

Dietrich remained popular throughout her long career by continually re-inventing herself, professionally and personally. In 1920s Berlin, she acted on the stage and in silent films. Her performance as the ultimate temptress Lola-Lola in The Blue Angel, directed by von Sternberg, introduced her signature song, Falling in Love Again (Can’t Help It), brought her international fame, and provided her with a contract with Paramount Pictures.

Hollywood films such as Shanghai Express (1932) and Desire (1936) capitalized on her glamour and exotic beauty, cementing her stardom, and made her one of the highest paid actors of the Hollywood Golden Era.

When she got rid of her mentor and frequent collaborator, Sternberg, after their highly stylized The Scarlet Empress (1934) and The Devil Is AWoman (1935) flopped, Dietrich, along with Joan Crawford and Greta Garbo, was labeled “box office poison” by the press. Yet, she bounced back big when she played a Wild West saloon girl in the fun Destry RidesAgain (1939) opposite James Stewart, singing See What The Boys In The Back Room Will Have.

Dietrich became a citizen of the USA in 1939, at the very apex of the troubles in Europe. Throughout WW II, she was a high profile entertainer on the frontlines. She still made the occasional film after the war, but Dietrich spent most of the 1950s, 1960s and 1970s touring the world as a phenomenally successful cabaret performer.

Dietrich never fully regained her box-office clout, but she did give some of her most interesting performances, working with the very best Hollywood directors: Billy WilderAlfred Hitchcock, and Orson Welles, in popular films: A Foreign Affair (1948), Stage Fright (1950) where she sang my own theme song, Cole Porter’s The Laziest Gal In TownWitness For The Prosecution (1957); Touch Of Evil (1958) and Judgment At Nuremberg (1961). Her first film was The Little Napoleon in 1923 and her final role was in Schöner Gigolo, Armer Gigolo in 1979, opposite David Bowie. That’s 56 years of great performances!

1952, Milton Greene, Courtesy of the National Portrait Gallery

 

Dietrich’s love affairs included many women, including: Mercedes deAcosta, Garbo, Eva Le GallienneIsadora Duncan, the great French writer Colette, and Edith Piaf. Throughout her career, Dietrich had a long string of sexual and romantic relationships, some lasting for decades. They often overlapped and were almost all known to her husband. She had a novel quirk of passing him the love letters from her lovers, along with her biting commentary about them

She had liaisons with many men. During the filming of Destry Rides Again, Dietrich had an affair with Jimmy Stewart, which ended when the filming stopped. In 1938, Dietrich met and began a relationship with the writer Erich Maria Remarque. In the 1940s, she had an affair with the French film star and military hero Jean Gabin. Her last greatest passion, when she was in her 50s, was for hot actor Yul Brynner. Her very active sex life continued well into her 70s. Her many diverse male conquests included: John WayneGeorge Bernard Shaw, Gary Cooper, and John F. Kennedy. Dietrich’s household included her husband and his mistress, first in Europe and eventually on a ranch in the San Fernando Valley. Now that is what I would dub “Modern Living”.

She survived cancer in her 60s and 70s, but she became dependent on painkillers, and for the last decade of her life, Dietrich withdrew to her apartment in Paris. She spent her last decade mostly bedridden, allowing only a few family and staff to see her. During this time, she was a prolific letter writer and spent a lot of time on the telephone (which she answered in the character of a maid), talking with friends and world figures, and surviving on a diet of champagne and autographs. She published a well written memoir Take Just My Life (1979).

In “Dishonored” (1931), Eugene Robert Richee, National Portrait Gallery via YouTube

 

Even though she gave up on her native Germany, Germany did not give up on Dietrich. She was made an honorary citizen of Berlin in 2002. Her memorial plaque reads:

“Where have all the flowers gone?”

MARLENE DIETRICH

December 27, 1901 – May 6, 1992

“I am, thank God, a Berliner.”

Marlene Dietrich: Anti-Fascist, Bisexual, Movie Star, Vegas Headliner, Fashion Icon, Recording Artist, and Ultimate Gay Icon. She was friendly with Ronnie and Nancy Reagan, but I like to consider what members of today’s American White Nationalist Party might make of Dietrich. Do you think any of them would even know who she was? Just one of the greatest entertainers of the 20th century and one of those damn immigrants.

December 27th: It’s YOUR Birthday, Bitch!

#Chopped!: So, Why IS Melania Having the Famed “Jackson Magnolia” at The White House Cut Down?

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The White House South Lawn, 1878

For once the hashtag #TrumpRuinsEverything doesn’t directly apply. This time, Melania is to blame…

The White House lawn, as frozen as it is this time of year, will get a big change this week: the historic Jackson Magnolia, from the 1800s, is scheduled to be cut down.

Specialists at the U.S. National Arboretum were brought in by the White House to assess the Magnolia. According to documents obtained exclusively by CNN, the tree must be removed, and quickly, despite efforts to preserve it over several decades. It reads read in part:

The overall architecture and structure of the tree is greatly compromised and the tree is completely dependent on the artificial support. Without the extensive cabling system, the tree would have fallen years ago. Presently, and very concerning, the cabling system is failing on the east trunk, as a cable has pulled through the very thin layer of wood that remains. It is difficult to predict when and how many more will fail.

The decision to remove the tree was ultimately made by first lady Melania Trump after she assessed all of the professional information and accompanying historical documents.

The enormous magnolia, one of three on the west side of the White House is the oldest tree on the White House grounds. It extends from the ground floor, up past the front of the windows of the State Dining Room on the first floor and beyond the second-level executive residence. The tree has had a long and storied life, yet has now been deemed too damaged and decayed to remain in place.“

The Jackson Magnolia has been in the background for many historic events, from state arrival ceremonies and Easter Egg Rolls, to thousands of photo ops, social and athletic activities.

Some of the highlights:

• From 1928 to 1998, the tree was featured prominently on the back of the $20 bill.

• In 1994, a single-engine plane crashed onto the South Lawn of the White House, sending debris from the wreckage into the Jackson Magnolia, cutting off one of its larger branches.

Laura Bush commissioned a set of White House china inspired by the tree, called “The Magnolia Residence China,” painted with magnolia leaves and blossoms.

• First Lady Michelle Obama in 2009 took a seedling from the magnolia to the United States Department of Agriculture so that it could grow at the USDA’s community garden.

• In 2016, President Obama also clipped a seedling as a gift to the people of Cuba; it was planted during the Obamas’ visit there. Various other dignitaries and first ladies have gifted or replanted seedlings from the tree throughout its history.

In person, while the tree and its trunks appear quite normal from the front side, from the back, the massive hulk of the tree is virtually hollow, with wood chipping away, in places crumbling to the touch.

There is silver lining to this trees demise though. White House groundskeepers were prepared. For several months, at an undisclosed greenhouse-like location nearby, healthy offshoots of the tree have been growing, tended to with care and now somewhere around eight to 10 feet tall.

CNN reports that the plan is that another Jackson Magnolia, born directly from the original, will soon be planted in its place, for history to live on.

The Ford family poses on the South Lawn, with the Jackson Magnolia visible on the left.

(via CNN)

QueerQuote: “I Should Have Known You’d Know Where to Find the Booze and the Boys!” – Joan Crawford (the character, not the woman)

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Paramount Pictures, screen-grab via YouTube

“I learned it from you, Mom.”

It has been over 36 years since Frank Perry’s cult classic Mommie Dearest was released and rocked Hollywood and audiences alike. The film, an adaptation of Christina Crawford’s memoir about her abusive upbringing with her adoptive mother, was annihilated by critics, but fully embraced by gay fans. It also became a point of contention among everyone involved in its making, from the Christina Crawford to the film’s difficult star, Faye Dunaway.

Dunaway couldn’t stand the movie:

”It was meant to be a window into a tortured soul. But it was made into camp. I feel uncomfortable with the persona that’s out there as a result of the Crawford picture. It was kind of a Kabuki performance.”

To land the role, Dunaway showed up at produced Frank Yablan’s home dressed as Crawford head to toe.

Ironically, Crawford was a fan of Dunaway. Regardless of what the film’s cast and crew thought of Dunaway, the woman she embodied loved her. Crawford once said:

 ”Only Faye Dunaway has the talent, class, and courage to be a real star.”

Christina Crawford is played by Mara Hobel (young) Diana Scarwid (adult). The highly quotable screenplay is by Perry, Yablans, Robert Getchell, and Tracy Hotchner. The executive producers were Christina’s husband, David Koontz, and Terence O’Neill, Dunaway’s then-boyfriend and soon-to-be husband. The film was made by Paramount Pictures, the only one of the major studio for which Crawford had never appeared in a feature film.

The film was a commercial success, despite mixed reviews from film critics. Roger Ebert wrote:

“Dunaway does not chew scenery. She starts neatly at each corner of the set in every scene and swallows it whole, costars and all.”

Dunaway’s over-the-top performance brought her a Best Actress nomination by The NY Film Critics and National Film Critics Association, although she felt she was certain to get an Academy Award nomination. She tied with Bo Derek in Tarzan The Ape Man for Worst Actress at the Razzies.


ConDRAGulations to Sasha Velour Who Drew Today’s Google Doodle of Marlene Dietrich!

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Today would have been the glorious Marlene Dietrich’s 116th birthday. To celebrate, Google asked reigning RDR champion Sasha Velour to create today’s Google Doodle in her honor.

“She was a wild original!” Sasha said to Google. “Despite the pressures of the time, she followed her own course, especially in terms of politics and gender.“As a drag queen, that’s particularly inspiring to me. Plus, she just had this power to her…in every role she’s mysterious and strong, brilliant. That’s what I aspire to be when I step on the stage.”

Sasha, you might recall, did Marlene for her “Snatch Game” appearance. Here she is below.

Some of Sasha’s early drafts:

Writes Google:

Born Maria Magdalene Dietrich in Berlin on this day in 1901, Marlene Dietrich lit up the silver screen during Hollywood’s Golden Age.

Dietrich rocketed to international fame from the moment she appeared in her breakout role as cabaret singer Lola-Lola in Germany’s first talking picture, Der Blaue Engel (1930) and its English version, The Blue Angel. The actress crossed the Atlantic soon after its premiere, continuing to work with Blue Angel director Josef von Sternberg in a string of memorable Hollywood films, including Morocco, Shanghai Express, and The Devil Is a Woman.

But Dietrich was more than a femme fatale with an unforgettable voice. Ever the risk-taker, she turned pat notions about femininity upside down, donning a tuxedo and top hat in her part as a sultry nightclub dancer in Morocco, and wearing men’s silk suits offscreen. A U.S. citizen as of 1939, she captivated World War II troops as a USO entertainer and was awarded the U.S. Medal of Freedom and French Légion d’Honneur for her wartime work.

Dietrich’s Doodle was illustrated by artist Sasha Steinberg who captured her mid-performance, suited up in her gender-bending tux and top hat. Steinberg, who is also a drag performer under the name Sasha Velour and winner of RuPaul’s Drag Race (Season 9), counts Dietrich as a major influence in creating their drag alter ego.

“She was a wild original!” says Velour. “Despite the pressures of the time, she followed her own course, especially in terms of politics and gender. As a drag queen, that’s particularly inspiring to me. Plus, she just had this power to her…in every role she’s mysterious and strong, brilliant. That’s what I aspire to be when I step on the stage.”

Happy 116th birthday, Marlene!

 

 

You Must Watch this Super-Swoonworthy LGBTQ Taiwanese Lip Balm Commercial

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How perfect is THIS? A Taiwanese TV commercial for the KL Lip Care Company features a male student confronting another male student about crushing his little sister’s romantic dreams. “I told your sister to forget about me,” says the boy as he pushes him up against the wall. “‘I don’t think of you like that,” he told her. Then he whispers: “I prefer your elder brother'” – And with that he gives the flustered boy some lip balm. “Don’t forget to use it regularly,” he says as he walks out of the room. “That way you’ll know what my lips feel like!”

What a wonderful world we live in!

Watch it below.

Both Manila & Raja Got Married Over the Holidays (Not to Each Other, Silly!)

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Ah, l’amour!

We couldn’t be more giddy over the the fact that two of our favorite superstars found their forever loves and got hitched over the holidays.

First up: Season 3 fan fave Manila Luzon married her longtime BF Mic J Rez on Christmas Eve at the famous Silver Bell Wedding Chape lin Las Vegas (by an Elvis impersonator, of course), surrounded by friends and loved ones. “The best day of our lives” gushed Manila, the groom. (Mic wore the wedding dress – what a switcheroo! I love it!).

The two got engaged in November 2016 after several years together.

Pics below.

I #married @manilaluzon in #Vegas on 12/24/2017 📸 @orafasaiu #tildeathdouspart

A post shared by Mic J Rez (@micjrez) on

Husbands! 🎄💍👬Happily Ever After! @micjrez 📸: @davidelaffe

A post shared by Manila Luzon (@manilaluzon) on

Elvis married me to my man @micjrez on Christmas Eve! Best Christmas ever!! 🎄💍👬🎁🍾🎉🎆💒

A post shared by Manila Luzon (@manilaluzon) on

Best day of our lives!

A post shared by Manila Luzon (@manilaluzon) on

Happily Ever After!

A post shared by Manila Luzon (@manilaluzon) on

Sutan Amrull aka our beloved Raja married her super-swell, super-handsome BF Ryan Paul Turner at a hush-hush LA ceremony last week.

Speaking to Hornet, Raja said:

“We did the City Hall thing. It all happened very rapidly.

“We decided a long time ago that we were gonna do it. We pretty much knew from the get go that we were gonna marry each other. We just decided one day, ‘Let’s just fucking do it.’ So we found out where to go, filled out all the right paperwork, and then decided to do it immediately.”

“It seems rushed, but it was something that had to be done,” he adds. “There was just no way around it. We were like ‘Let’s just get married.’”

Pics of the happy couple on their big day below.

Katherine Graham’s Son Commits Suicide (the Same Week “The Post” Is Released)

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Lawyer and philanthropist William W. Graham – the son of former Washington Post publisher Katharine Graham – has taken his own life the week a new movie about his mother is released… and 54 years after his father committed suicide. He was 69.

His brother, former Post publisher Donald Graham, said he died from a self-inflicted gunshot wound.

via The Telegraph:

Graham’s grandfather Eugene Meyer purchased The Washington Post in 1933, and then handed it over to his father, Philip.

When Philip killed himself in 1963, his wife Katharine took over, becoming one of the most influential women in America and the first female head of a Fortune 500 company.The story of her decision to publish the Pentagon Papers, which detailed the US government’s cover-up of the failings of the Vietnam War, has been made into a film by Steven Spielberg, The Post. Meryl Streep plays Katharine Graham.

She died in 2001, and was survived by four children: a daughter, journalist Lally Weymouth; and three sons, Donald, Stephen and William.

Donald took over the newspaper, but then handed over to his niece Katharine Weymouth. She, in turn, left in 2014 – when Amazon founder Jeff Bezos bought the company.

William Graham was a 1966 graduate of the private St. Albans School in Washington and a 1970 graduate of Stanford University, where he majored in history and was active in the antiwar movement protesting US involvement in Vietnam.

(Pics: Facebook and MediaPunch)

Mariah’s “All I Want For Christmas” Broke New Records This Year (and Earned $60 Million in Royalties!)

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She just can’t stop winning!

In addition to entering the Billboard’s Top 10 for the first time 23 years after it was first released, Mariah Carey’s “All I Want for Christmas” set a new high by breaking the global Spotify record for biggest single day for a female artist (8,069,105 streams). It also crossed 300M streams on @Spotify, making it only the 3rd song from the 90s to do so… and the first female act.

‘All I Want For Christmas Is You’ has also earned Mariah more than $60 million in royalties since it was released back in November 1994. WOWZA. Get that bank, girl!

(Photo: MediaPunch)

Watch “Emma,” the Winner of This Year’s 15-Second Horror Movie Contest

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Daniel Limmer‘s Emma is a 15 seconds-long horror film, and the winner (I believe) of the aptly-named “15 Second Horror Film Challenge.”

“15 Second Horror Film Challenge” is a nonprofit international filmmaking contest in which celebrity judges decide the scariest films.

Watch more below. (via BoingBoing)

2017: The Year in Queer Cinema

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Call Me By Your Name has become the year’s most talked-about film of any genre, and a certain Academy Award nominee. The languid, luxuriant, story of the romance between a male grad student and the son of his antiquities professor is set in Italy in the 1980s. Oscar noms for its young star Timothée Chalamet (who is also in the other top film, Lady Bird) and probably for Armie Hammer and Michael Stuhlbarg as the father. It could be the second gay-themed film to win Best Picture after last year’s surprising upset by Moonlight.

God’s Own Country is Call Me By My Name’s dark doppelgänger. Director/writer Francis Lee’s feature debut is set on a working-class farm in grim Northern England with miserable Johnny, played by Josh O’Connor, falling for a hunky Romanian migrant worker (Alec Secareanu). Johnny’s father, who has had a stroke, has disdain for his son, and his grandmother only gives him a chilly reserve. Johnny self-medicates via anonymous sex with strangers and by getting blackout drunk. It will undoubtedly be compared to Brokeback Mountain, except this one has a happy ending.

Robin Campillo’s BPM (Beats Per Minute) didn’t make the shortlist for Best Foreign Film for 2018 Academy Awards, but the French drama captures the story of Paris’ ACT UP activists fighting for recognition from the government in the 1990s, but it’s not just a film about how devastating the AIDS crisis was and is, it is a film about what it means to truly embrace life. Argentinian-born Nahuel Pérez Biscayart plays passionate activist Sean Dalmazo. BPM won Cannes Grand Prix, and New York Film Critics Circle Award for Best Foreign Film.

Dream Boat is a documentary by Tristan Ferland Milewski about a weeklong European cruise for gay men. There’s a passenger from India on his first gay cruise, a Frenchman with disabilities determined to have a good time, a Polish man searching for a soul mate, a Palestinian who has moved to Belgium, and the hot Austrian photographer everyone poses for.

A film befitting its title, South Africa’s The Wound is a rough, challenging film that offers an unflinching look of how once-traditional notions of masculinity can grow increasingly toxic in the hands of those who cling to those outmoded ways rather than accept that things have changed.

In Beach Rats, on the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates from his oppressive family and a mean-spirited group of criminally-minded friends. Struggling with his own identity, he begins to search hookup sites for older men. He begins meeting men at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences. Eliza Hittman’s visually stunning film a hit at this year’s Sundance Festival.

Billie Jean King’s epic tennis match with chauvinist Bobby Riggs gets a fresh, funny treatment from Little Miss Sunshine (2006) directors Valerie Faris and Jonathan Dayton. When you think of a Sports Biopic, you think of tough-talking coaches making locker room speeches, neglected wives and girlfriends, and victory against all odds. In Battle Of The Sexes, you get a fast-talking Sarah Silverman as an old-school Hollywood agent, and pitch perfect perfect performances from Emma Stone and Steve Carrell.

In A Fantastic Woman, Chilean filmmaker Sebastian Lelio tells a story about a transgender woman whose older lover dies in her arms. Starring luminous Daniela Vega, who began as a creative consultant and later stepped into the starring role, it is a tender tale between Marina (Vega) and Orlando (Francisco Reyes), though their deep connection takes on a tragic poignance once Orlando is gone. Enduring humiliation and violence, Marina remains steadfast in her devotion to Orlando. It honors the human spirit, with a touch of fantasy and a whole lot of charisma.

Last, but not least, Freak Show, directed by Trudie Styler with a screenplay by Patrick J. Clifton and Beth Rigazio is based on the novel of the same name by World Of Wonder’s own James St. James. The film stars Alex Lawther, Abigail Breslin, Bette Midler, AnnaSophia Robb, Ian Nelson, Lorraine Toussaint, Willa Fitzgerald and the fabulous Laverne Cox. The film premiered at the Berlin International Film Festival in February and is scheduled to be released on January 12, 2018 by IFC Films. It is the story of Billy Bloom, a bodacious, eccentric teenager, who faces intolerance and persecution at his conservative high school, and decides to fight back on behalf of all the misunderstood freaks of the world by running for homecoming queen against mean girl Breslin. See WOW writer Trey Speegle’s introduction the the Freak Show trailer.


#BornThisDay: Seth Meyers

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Photo by Anya Garrett via Wikimedia Commons

 

December 28, 1973Seth Meyers:

“I’d really like Rihanna to come on the show, and I know that’s a real 180 from what we’re talking about with politics, but I’ve talked to a lot of politicians this year, and the reality is, politics are more interesting than politicians. So, I guess, give me a Rihanna; give me a Beyoncé. I think they would be a lot more interesting to talk to.”

It hasn’t been easy, I know. 2017, what a year. The year of anxiety. It has been like one long ride in a clown car full of racists, homophobes and fascists driven by POTUS.

Meyers was the Emmy-nominated head writer for Saturday Night Live before taking over Late Night in 2014. Besides the usual roster of actors touting their latest projects, Meyer’s guests often includes politicians and best of all, writers. Not since the days of Dick Cavett have I watched a talk show with so many authors.

Meyers grew up loving to read and  spent a lot of time in his hometown library in Bedford, New Hampshire.

“Both of my parents were huge readers. When we went on vacation, everyone was responsible for having enough books to make it through without bothering the others. That was a big jumping-off point. I’ve never wanted to go anywhere without a book.”

His mother is a French teacher and his father worked in finance, and Josh Meyers, his cutie pie younger brother, is an actor.

Somehow, he manages to read the current book written by the writers appearing on his show, for which he is also a writer and executive producer. Since the show began, Meyers has hosted more than 75 writers on Late Night With Seth Meyers.

Books are such a big deal for Meyers and his wife, attorney Alexi Ashe, that when the couple married in 2013, guests were given paper cones to throw, filled with lavendar made from pages from their favorite books, Catch-22 and Great Expectations.

”Many authors on our show have never been on a talk show before, but the reality is that whatever fears they have about being on TV are trumped by their natural abilities as storytellers. I think authors are the people you want to end up next to at a dinner party. I feel less so about politicians, especially when they’re running for office and have eight or nine things they say over and over again. That’s an effective way to run for office but it’s a completely lousy way to be a dinner companion.”

But Meyers certainly doesn’t shy away from politics, especially during the show’s essential Closer Look segments, six-to-eight-minute explorations of an issue, usually what POTUS has said or tweeted. Among his guests have been: John McCain, Bill Clinton, Ted Cruz, Hillary Clinton, Kellyanne Conway and Bernie Sanders.

Meyers starts his workday checking the news sources and reporters he follows on Twitter. Meyers:

”The night before, we usually recognize the story we want to work on. In the morning we can drill down on that.”

Meyers studied film at Northwestern University, intending to be a director. But, he discovered Mee-Ow, the university’s long-running sketch comedy troupe. After graduation, he moved to Amsterdam, where he worked at Boom Chicago, a comedy club that is a training ground for many writers and performers.

SNL, with Bill Hader, via YouTube

In 2001 he joined the cast of SNL, where he did imitations of Anderson Cooper, Peyton Manning, Ryan Seacrest, John Kerry and Nicollette Sheridan, before becoming the show’s head writer, replacing Tina Fey and serving as the iconic anchor for Weekend Update.

Because of the election of November 2016, I discovered NBC’s Late Night With Seth Meyers. I sort of knew who Meyers was. I knew that he had been on SNL, but I hadn’t seen anything from that show, except for occasional clips, since 1977. Now, I am a regular viewer again.

I was impressed by Meyers take on the American Political scene, finding him smooth, smart, sly, insightful, and very, very funny. A Closer Look, is better than any news outlet for a quick rundown of current events. He takes jabs at all the players, but he really sticks it to You-Know-Who. It has become Meyers’ signature segment. A Closer Look remains a meticulous, searing dissection of the day’s top stories.

I’m not certain if he is really cute, because I tend to find people I like to be attractive. I love his comic timing and his smile. On the Thanksgiving episode, he featured his funny family, including Josh, a cast member of the once great sketch comedy series Mad TV, and the two of them together made me nearly faint with desire.

Late Night With Seth Meyers is not so much like Full Frontal With Samantha Bee or Real Time With Bill Maher, both of which I also admire and find very funny and informative; Meyers’ show still has a traditional talk show format; he has guests that sit in a chair beside his desk, and he is good at interviewing, generous and rather sweet with his guests, without gushing like Jimmy Fallon. This show always has just the right dash of cynicism while remaining bright and humorous, as if the Jon Stewart era The Daily Show had married 1970s The Dick Cavett Show and had a baby. It is sophisticated and smart, while unafraid to get silly.

I go to bed early, so I watch it first thing in the morning instead of The Today Show, which lost me when sexual harasser Matt Lauer gave Trump a hand job on air in the summer of 2016, and Kathie Lee Gifford was revealed to be a fascist sympathizer.

When Meyers signed-off for his winter hiatus last year, he jokingly addressed the camera with:

”We will be back on January 9, and we will be canceled on January 20.”

Meyers was joking, but he wasn’t kidding. This entire mess we find ourselves in now probably began when Meyers hosted the 2011 White House Correspondents’ Association dinner, where Trump was the butt of jokes by Barack Obama and Meyers.

Trump was so humiliated by the experience that it seemed to have triggered a deep, dark previously hidden hunger for revenge. That evening of public degradation, instead of sending the Orange Blob away for good, only accelerated his ferocious desire to take over the world.

On the night of November 9, 2016, just 12 hours after the world was shocked by the realization of who had become the next POTUS, Meyers delivered a poignant monologue to his audience, sharing an anecdote about informing his then 8-month-old son that:

”For the first time in our history, our president would be a failed steak salesman…”

But then, he took a more somber tone, and in tears said:

”As a white man, I also know that any emotions I’m feeling are likely a fraction of those being felt by the LGBTQ community, African-Americans, Hispanic Americans, Muslim Americans, and any number of the immigrant communities so vital to our country, so hopefully the Trump administration and Trump supporters will be compassionate to them, because they need your compassion. And in general, I am hopeful for Trump because hope is always the best possible path to take, and one thing that makes me hopeful is we know from interviews he’s given over the years that he has, at any given point, held every position on every issue: He’s been pro-choice, pro-life, for the Iraq War, against the Iraq War. Pretty much his only consistent position has been: Anti-Rosie O’Donnell. So, I’m hopeful that he’s not actually a racist, and that he just used racist rhetoric to court voters, because when you’re courting someone, you’re always willing to pretend you’re something you’re not.”

That hope didn’t last long, but Meyers’ candid, considerate, and slyly sharp approach to dissecting the news did. He has zeroed in on how best to make jokes about the increasingly disturbing political events, and focused on the true injustices coming out of the administration with biting accuracy, and a determinedly level head. That combination sharpens Meyers’ jokes, and when a horrific occasion like Charlottesville calls for it, he brings real gravity to his quips.

Meyers:

”Looking back, it was not even a full day before you realized what kind of a president he was going to be.”

His show has also added a new segment, The Check In, to keep tabs on more ongoing stories and issues that may not be dominating the headlines, but that Meyers finds no less important. Meyers shows attention to detail in both his comedy and political commentary, now that the line between the two is blurred more than ever. Meyers highlights how the news of the day affects people who are different from him, a straight white guy late-night host.

The show features a segment that offers a look at diversity in a pointed, but bitingly humorous way: Jokes Seth Can’t Tell, in which Meyers sits between writers Amber Ruffin and Jenny Hagel while all three parties introduce themselves as follows:

Ruffin: ”I’m black!”

Hagel: ”I’m gay!”

Hagel and Ruffin: ”And we’re both women.”

Meyers: ”And I’m not.”

Meyers sets up jokes for Ruffin and Hagel’s punchlines that, had they come from him, might come across more like they were written with derision rather than affection.

Via YouTube

It was not even a full day after the election before I realized what kind of a show Late Night With Seth Meyers would be under a Trump Administration. I could not have survived 2017 without him.

I am excited to find out how Meyers will take on Trump and sexual harassment in Hollywood when he hosts the Golden Globes ceremony on January 7.

December 28th: It’s YOUR Birthday, Bitch!

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#QueerQuote: ”I Used to Pretend I Was Someone Quite Mysterious and Fascinating. Then I Grew Up and Realized I Was Mysterious and Fascinating.” – Sally Bowles

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Allied Artists via YouTube

”You’re about as fatale as an after-dinner mint!” notes writer Brian Roberts to Sally Bowles during an argument over their shared ménage à trois. It is 1931 and the rise of Nazism looms ominously against a backdrop of the world of Berlin cabarets. The 1972 film adaptation of the hit 1966 Broadway musical Cabaret is directed by Bob Fosse. It is a semi-autobiographical account of gay writer Christopher Isherwood’s time in pre-war Germany. Liza Minnelli’s characterization of Sally Bowles is a full representation of the ”Weimar Girl”; she sold herself on her outrageous appearance, offering up sufficient sex appeal, without stepping over the line into actual sex work.

Sally Bowles is based on real life Jean Ross, a woman Isherwood became acquainted in Berlin during his stay. He describes Sally:

”Her fingernails were painted emerald green, a color unfortunately chosen, for it called attention to her hands, which were much stained by cigarette smoking and as dirty as a little girl’s. Her face was long and thin, powdered dead white. She had very large brown eyes which should have been darker, to match her hair and the pencil she used for her eyebrows.”

Bowles describes herself as ”divinely decadent, darling”, yet Brian and Isherwood describe her as more faux fatale than femme fatale, with her flamboyance concealing pain and a childlike vulnerability.

Via YouTube

The essence of Germany just before the Nazis was the figure of the ”Neue Frau” with her short skirt, bobbed hair and fishnet stockings, the look employed by Sally Bowles. The costumes for Cabaret were designed by Charlotte Flemming, who added a decidedly 1970s twist to Minnelli’s look.

Even before Madonna, Sally Bowles was doing underwear as outerwear. She spends her days lounging about in chemises, negligees and kimonos, downing a ”prairie oyster” for her hangover: a raw egg, Worcestershire sauce, tomato juice and vinegar.

Via YouTube

 

In her stage act at the Kit Kat Klub, Bowles fancied men’s bowler hats worn with backless playsuits or dresses, and shirtless vests with satin shorts, deep necklines, big eyelashes and everything in black. She completes her look with thin penciled-on eyebrows and blue and green eyeshadow. Minnelli has said that she came up with her own makeup preparing for the role of Sally Bowles:

”The night before we started shooting, I put on all the lashes and dyed my hair black and cut it into a point and everything!”

Minnelli’s gender-fuck choices greatly impacted queer culture. In the 1970s, drag queens looked to Bowles for inspiration. Sally Bowles is eccentric, addictive and a little toxic. Minnelli’s Academy Award-winning performance embraced an empowered woman who acknowledges her flaws, pours herself a drink, puts on some lipstick and gets her act together.

Screenplay by Jay Presson Allen.

An Intersex Shark – the First of Its Kind! – Is Discovered Off the Coast of Taiwan

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A stunned fisherman caught an intersex Pacific spadenose shark earlier this year off the southern Taiwan Strait.

According to the Daily Mail:

At first it appeared to be a fully grown male, with a developed pair of penis-like appendages called claspers that extend from the pelvic fin.

But a study of the animal’s interns found it had a complete pair of ovotestes – gonads that contain both ovarian and testicular tissue.

Making it part of the wonderfully diverse undersea LGBTQIA community, joining terrestrial slugs, marine flatworms, and the cross-dressing Australian giant cuttlefish.

While many fish have the ability to switch genders, sharks develop permanent male or female organs before birth, making intersex specimens a rarity.

Little is known about shark reproduction, but researchers have suggested that intersexuality could explain why some sharks can give birth ‘asexually’.

‘[Sharks] can give birth without mating – like virgin birth. The question is: Why?’ Dr Chris Lowe, a scientist at California State University, Long Beach, told Hakai magazine.

Intersexuality may be related to this ability of some sharks to give birth to a clone, he said.

‘We just don’t know enough about shark biology to be able to answer those questions,’ Dr Lowe added

Scientists at China’s Xiamen University found that each of the shark’s genitals were fully formed, meaning the animal could have functioned as either sex reproductively. This makes the find the rarest type of intersexuality in sharks as most cases have sex organs that are only partially formed. And the first of its species! Pretty cool!

(Photo: Pixabay)

 

Lesbian Couple and their Two Children Found with their Throats Savagely Slashed

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The bodies of 36-year-old Shanta Myers, her 22-year-old girlfriend Brandi Mells, their 5-year-old daughter Shanise Myer and 11-year-old son Jeremiah Myers were discovered Tuesday afternoon in Troy, New York. Their throats had been slashed inside their home in what the police are calling “an act of savagery.”

Troy Police Chief James Tedesco told the Albany Times Union “After being in this business for almost 42 years, I can’t describe the savagery of this. I don’t have the words.”

‘There are indications at the crime scene that this was not a random act,’ Tedesco said at a news conference on Wednesday. ‘We are certainly appealing to people in the community that would have any knowledge as to what may have transpired there to contact us as soon as possible.’

Pastor Jackie Robinson Sr, of Oak Grove Baptist Church, said that an older son related to the two children – thought to be the last surviving member of the family – wasn’t home when the killings occurred.

He went on to warn the community:

“Until they catch whoever they did this, there are certainly reasons to be fearful,” the pastor told the Times Union. “We don’t know who did it. Until we find out, it certainly makes sense to be vigilant and keep your doors locked.”

In fact, police are theorizing this may be the work of a serial killer, cautiously comparing what happened to a similar crime in 2014 in which a family of four was killed with a knife and hammer inside their Guilderland home.

More details to come.

(via Daily Mail)

 

 

 

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