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#FloodWarning!: “Hot Convict” Jeremy Meeks Gets Out of Jail Today!

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Yes, internet, get ready because Jeremy Meeks, better as “Hot Convict,” is set to be released from prison sometime today. In 2014 when the Stockton Police Department uploaded his steamy mug to their Facebook page, social media was pumping out there basements all over the place. And last year after Blaze Modelz offered him a $30K contract, the flood warnings started again. Now he is back amongst the general population. Are you ready?

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The post #FloodWarning!: “Hot Convict” Jeremy Meeks Gets Out of Jail Today! appeared first on The WOW Report.


This R&B Cover Of “Sissy That Walk” Will Have You on Slow Shantay

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I posted a cover version of Sissy That Walk the other day by three young Aussie girls which was a sweet slow groove, but it was just vocals and guitar. Canadian singer Leah Allyce Canali just went into thetudio recorded her own soulful cover of RuPaul classic and the video is a must-see. It features Canali as well as shots of some fierce folks shantaying for their lives at the Bizarre Ball in Toronto. Leah writes:

This video was made to celebrate the Ballroom and LGBTQ community and all of it’s beautiful, talented and diverse members.

What she said. Watch.

(via NewNowNext)

The post This R&B Cover Of “Sissy That Walk” Will Have You on Slow Shantay appeared first on The WOW Report.

Are You Following World of Wonder? We’re on Twitter! Instagram! Facebook! Tumblr!

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In case you didn’t know, WOW’s presence on the internet reaches further than just the WOW Report! Did you know we have a YouTube channel, WOWPresents? YUP! It has tons of original content of your favorite #Queens and #WOWlebrities. You can also follow us on Twitter, Instagram, Facebook, and Tumblr! AND you can also sign up to receive World of Wonder’s Top 5 Newsletter every Friday. But it doesn’t stop there. You can ALSO follow RuPaul’s DragCon on Twitter, Instagram, and Facebook. And sign up for the RuPaul’s DragCon mailing list for exclusive early access to tickets & VIP packages and be the first to know which #WOWlebrities and #Queens will be attending!

World of Wonder

 

Subscribe to World of Wonder on YouTube: WOWPresents

Follow World of Wonder on Twitter: @WorldofWonder

Follow World of Wonder on Instagram: @wowreport

Follow World of Wonder on Facebook: @WorldofWonder

Follow World of Wonder on Tumblr: wowreport.tumblr.com

Sign up for the World of Wonder Top 5 Newsletter: worldofwonder.net/newsletter

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Follow RuPaul’s DragCon on Twitter: @RuPaulsDragCon

Follow RuPaul’s DragCon on Facebook: @RuPaulsDragCon

Follow Rupual’s DragCon on Instagram: @RuPaulDragCon

Sign up for the RuPaul’s DragCon Mailing List: rupaulsdragcon.com/#mailing

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The post Are You Following World of Wonder? We’re on Twitter! Instagram! Facebook! Tumblr! appeared first on The WOW Report.

Cara Delevingne Has Written an Inspiring Essay about Self-Acceptance

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Inspiring messages of self acceptance seem to be ALL THE RAGE these days. Amongst a certain set, they’ve become the new boyfriend jacket or hobo bag. Kim K, of course, just penned a mighty rebuke to her detractors. Actress Emily Ratajkowski joined her in demanding the right to celebrate her sexuality without being objectified or slut-shamed. Now supermodel-turned-actress Cara Delevingne has joined the fray, writing in Time about her “long journey toward self-acceptance” (she’s 23)(just sayin’).

When you do everything you can to make people happy with your work but there are still people who aren’t happy, you start to think, “Well, I’ve worked my a** off. I’ve done everything. I’ve pushed myself into the ground.” You just feel like you’re constantly disappointing others, and there’s this moment when you’re like, “Wait, what am I trying to do? Who am I doing this for?”

Over time, I came to realize that work and getting others’ approval isn’t the most important thing. Yes, your career is very important—but it’s not the most important. Of course I was proud of my accomplishments, but I wasn’t genuinely happy.

When you’re coming from a place of living just to work, it’s never as good as you want it to be. It’s never as authentic. When you have balance in your life, work becomes an entirely different experience. There is a passion that moves you to a whole new level of fulfillment and gratitude and that’s when you can do your best…for yourself and for others.

I still have so much to learn, but I have realized that beating myself up, feeling guilty and regretting past mistakes will only hold me back.

After all, no matter how many people like you and your work, it doesn’t matter if you don’t like yourself.

All of which is marvelous, if a bit la dee dah. Whenever I hear somebody telling me I shouldn’t “live to work,” because then I’m not “being my authentic self” – I always feel like it’s coming from such a place of privilege. It’s very: “To add zest to your relationship, why don’t you take your yacht to Mustique for a romantic weekend getaway?” Most people don’t have the luxury not to “live to work.” That’s what the 99% have to do. But, yay, Cara. You are an inspiration.

Read the whole essay here.

(Photo by Pacific Coast News)

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That Damn Daniel Kid Is in the New Weezer Video

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Viral superstar Damn Daniel appears at the tail end of the new Weezer vid “California Boy.” Nerdly frontman Rivers Cuomo encounters Daniel and his bestie on the beach and they drag him along while they film another Snapchat story. This time, THEY compliment HIM. “Damn, Rivers,” says the friend (who sounds suspiciously like Beast Boy). “Back at it again with the Ray-Bans!” Oh HO. They FLIPPED THE SCRIPT, get it?!

Weezer, of course, is no stranger to co-opting internet sensations in their videos. “Pork and Beans” featured wowlebrity Chris Cocker, Afro Ninja, Gary Brolsma, Tay Zonday, Caitlin Upton, Liam Kyle “Kelly” Sullivan, Kicesie, Ryan Wieber, Michael “Dorkman” Scott, Judson Laipply, and Fritz Grobe and Stephen Voltz performing Diet Coke and Mentos eruptions. Ah, 2008.

The post That Damn Daniel Kid Is in the New Weezer Video appeared first on The WOW Report.

#ConDRAGulations: Pearl Signs with Wilhelmina Modeling Agency, Violet Chachki Stars in Interview Magazine’s Prison Fashion Editorial

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Those season 7 queens sure are keeping busy!

Pearl has been signed to the über-prestigious Wilhelmina Modeling Agency, who posted on their website “We are pleased to represent hair and makeup artist Matthew James. We are also pleased to represent Pearl for advertising and editorials” – Condragulations, gurl!

Violet Chachki worked with legendary photographer Steven Klein, editor Ludivine Poiblanc and models Anna Cleveland, and Charlie Himmelstein on the editorial story “Caged Heat” for Interview Magazine, March 2016.

See pics from both endeavors, below. (Pretty awesome stuff)

@wilhelminamodels @wilhelminaartistsimage @oddamagazine @kinya_nyc @lisajarvis_stylist @vladonnadoll @maccosmetics

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#CAGEDHEAT @anna_vrc @stevenkleinstudio @interviewmag

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#CAGEDHEAT out today! @interviewmag @anna_vrc @stevenkleinstudio @charliehimmelstein 💥💥💥

A photo posted by Violet Chachki🐩💜🐩💜 (@violetchachki) on

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The post #ConDRAGulations: Pearl Signs with Wilhelmina Modeling Agency, Violet Chachki Stars in Interview Magazine’s Prison Fashion Editorial appeared first on The WOW Report.

RuPaul’s DragCon 2016: Season 1 the Ru-Union Panel JUST ANNOUNCED!

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It’s Exciting news, squirrelfriends! It’s the FIRST PANEL ANNOUNCEMENT for RuPaul’s DragCon 2016! And it’s a doozy! Picture it: Season 1… Four of your favorites… Jade Sotomayor! Tammie Brown! Ongina! and Victoria “Porkchop” Parker! Talking about their experiences on the season that started it all: The catfights. The backstage bickering. The surprising revelations. And that legendary season 1 filter! Plus, there’ll be a fabulous Q&A to follow. All moderated by the yummy John Polly. Sunday, May 8th. 12:00 to 12:50.

Get your tickets here!

The post RuPaul’s DragCon 2016: Season 1 the Ru-Union Panel JUST ANNOUNCED! appeared first on The WOW Report.

March 11: It’s YOUR Birthday, Bitch!


#BornThisDay: Actor/Singer, John Barrowman

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March 11, 1967John Barrowman is quite the underachiever: actor, dancer, singer; working on stage, in films, television, and with the extra duty of being professionally good-looking. He even danced on ice. He lives and works both in the UK and the USA.

Barrowman is probably most famous for best known for playing time-traveling Captain Jack Harkness in the 2005 reboot of Doctor Who (1989-2015) produced by Queer As Folk creator Russell T. Davies. Barrowman then went on to star in a Doctor Who spinoff, Torchwood (2006-2011).

Barrowman was born in Glasgow, Scotland where he spent the first eight years of his life. In 1976, when he was eight years old, his family relocated to Illinois by the company his father was working for.

While he was in high school, Barrowman appeared in his school’s musical productions. He majored in Theatre at United States International University in San Diego.

Barrowman made quite a splash in London with his professional debut in a West End production of Cole Porter‘s Anything Goes (1989), not as Reno Sweeny, but playing the ingénue Billy Crocker, a role he would play 14 years later in Trevor Nunn‘s acclaimed 2003 West End revival. Always in demand, he has also appeared in West End productions of Miss Saigon, Beauty And The Beast, Hair, Grease!The Phantom Of The Opera, and La Cage Aux Folles. Barrowman played Joe Gillis in Sunset Boulevard in the West End and, briefly, on Broadway. His only other Broadway role was in the Stephen Sondheim revue Putting It Together (1999–2000) opposite Carol Burnett. In 2002, Barrowman played Bobby in Sondheim’s Company at the Kennedy Center.

On film, Barrowman sang a duet with Kevin Kline in that dreadful Cole Porter biopic De-Lovely (2004), and sang the big Springtime For Hitler number in the film version of the stage musical version of the original film of of Mel BrooksThe Producers (2005).

Barrowman had been considered for the title role of Will on the television series Will & Grace (1998-2006), but the network brass felt he was “too straight” and the role went to Eric McCormack instead, who is of course, straight.

Barrowman met British architect Scott Gill, when he was appearing in a stage production of Rope at the Chichester Festival Theatre in 1991.

Barrowman claims it was love at first sight:

“I was doing the play in Chichester and Scott was brought down to see the play by a mutual friend of ours. He told Scott: ‘You’ve gotta see this guy in the play, he’s naked for the first seven minutes!’ So Scott certainly knew what he was getting!”

The couple became domestic partners in the UK in 2006, and they were married in Palm Springs, just a week following the United States Supreme Court’s decision to deny an appeal to overturning California Proposition 8.

Barrowman:

“It feels great and I think more gay men and gay women should go ahead and do it as long as they’re serious about it. It’s not really recognition, but it’s important for people to see the normality of the entire situation, and it forces people who don’t agree with gay men and women… to have to accept us. We deserve the rights like everybody else. It’s been a long wait, but we legitimized our relationship to each other a long time ago when we signed our mortgages together, and this is just something that forces people who don’t want to recognize it that they have to.”

Barrowman has written 2 volumes of juicy memoirs: Anything Goes (2008) and I Am What I Am (2009). He has 8 solo albums and can be heard on the original cast recordings for 11 musicals.

Barrowman and Gill are outspoken advocates for Gay Rights and progressive politics. They have houses in London, Cardiff, Wales; and Palm Springs that they share with their three cocker spaniels. They couldn’t possibly be more adorable.

The post #BornThisDay: Actor/Singer, John Barrowman appeared first on The WOW Report.

Untucked: Bonus Clip of Each of the Queens Before Entering the Work Room

#OhNoBunny!: Church Cancels Easter Rather Than Celebrate with Gays

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Sorry, Bunny. Easter is cancelled.

Sorry, Bunny. Easter is cancelled.

What would Jesus do? Well, you can be pretty sure he wouldn’t cancel Easter! But Reverend Bud Locke sure did after he accidentally sent an invitation to a church that welcomes LGBT people. Yes this year, Reverend Locke accidentally allowed an invitation to go out to Valley Ministries, a small church with LGBT members. When he realized what he’d done, he emailed Valley Ministries’ Reverend Terry Miller — from a city email address, since Locke also works for the police department — to disinvite them.

This didn’t happen in some remote podunk, southern town –this is in Stockton, right outside of San Francisco. After word got around about Locke’s bigotry, first re-invited them, THEN decided to cancel the whole thing because it was getting “too much publicity.” He says that he HAD to cancel the ceremonies because all the attention they were getting. Yeah, OK.

Now, Easter is cancelled – thanks to the gays! (via Queerty)

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Here’s A Couple Reasons We Hope the Mariah Carey Reality TV Rumors Are True

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According to a few reports, Mariah Carey is going to begin filming a docu-series that will air on E! sometime in the near future (a premiere date has not been announced). My initial reaction to the news that my Queen, the music icon, and Elusive Chanteuse herself was venturing into the world of reality TV was basically this:

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That is, until I realized the comedy gold that has been brought to all of our lives by her previous appearances on TV. For example, the American Idol stint that was a bit awkward to watch (only because I would rather imagine Mariah never leaving her castle except for when she decides to have her minions put her in a ball gown and get wheeled onto her Las Vegas stage) but gave rise to some of the greatest Mariah reaction GIFs in existence, such as…

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And then these unforgettable *moments* from her appearances on HSN:

…And her legendary appearance on MTV Cribs:

RUMORS, PLEASE BE TRUE.

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The post Here’s A Couple Reasons We Hope the Mariah Carey Reality TV Rumors Are True appeared first on The WOW Report.

#MapplethorpeDoc: Read JSJ’s Interview with Gay Icon Peter Berlin

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I’ve been a fan of ’70s sex god Peter Berlin since I first discovered his erotic post cards at age 12, and hid them in my comic books so my parents wouldn’t find them. He was the very embodiment of disco-era gay culture, with his brazen, in-your-face sexuality, deliciously tight pants, and that instantly identifiable Prince Valient hairdo. His compulsive self-portraiture and the gay cult sex films that chronicled his relentless cruising, makes him the original King of the Selfies. He’s one of the interview subjects in the upcoming HBO/World of Wonder documentary Mapplethorpe: Look at the Pictures (premiering April 4), and I had a chance to talk to him the other day about life in the ’70s, how he BECAME Peter Berlin, and what his life is like now.

JSJ: Congratulations on your recent gallery exhibit in NYC. How did it come about? What was the reaction to it (in the press and with the attendees?)
PB: I was introduced to Brian Clamp from ClampArt Gallery in NY by Arthur Tress, a well known photographer and friend. Brian approached me to do an exhibition of my Vintage Photographs. We had a great show, very well received and we sold quite a few photographs.

Will there be a coffee table book?
We are in discussions with a book publisher for a book, but nothing is definite. As of now, there is only a paper back book published by Janssen in 1990 (out of print). And there is a very limited printing of 2 self published photobooks, but they are only available by special order.

Where did the name Peter Berlin come from? How did you create and perfect the persona of Peter Berlin?
There you would need about 20 pages to answer this question… but I think that Jim Tushinski’s Documentary gives a good overview of my life and career. That Man Peter Berlin… now available streaming on Fandor. In short, my real name Armin, Baron Hagen Von Hoyningen-Huene is too long and difficult for the marquis so I came up with a very simple name. PETER BERLIN.

Let’s talk about the image though. It was the perfect look for the times, and so perfectly actualized. How did you arrive at it? Did you have any inspirations?
I think it was very organic. I never had anyone I wanted to emulate, nobody to look up to but myself. My ‘look’s were coming out of the desire to accentuate my sexuality. I made my clothes. I had to make them myself, I didn’t have anybody to make them for me. It was necessary. Everyone has a body and everything should look good from the head to the toes and that includes the crotch and  ass and crotch – they are the centerpiece of the body. I felt in in those days they were neglected by the average public. I have a dick why hide it? I had the clothes to look the best i could. I had a very definite way I wanted to look so I became my own designer, my own hairdresser, my own art director, my own photographer.

You were an enormous gay icon in the ‘70s, ‘80s, and into the ‘90s. Your pictures are instantly recognizable and encapsulate a period in gay culture that no longer exists. Do you look back on it with nostalgia? When did you realize it was over?
WHAT? IS IT OVER?

HA! What I guess I mean is that the AIDS epidemic in the ’80s sort of put an end to the hedonism of the ’70s. Was there a point when you looked around and noticed that that way of life was ending?
No. All my friends died. In that sense the party was over. At some point I realized, though, I should have a good time and I shouldn’t sit there and mourn my dead friends. I blocked that all out and usually there were drugs to help that. The party stopped when I couldn’t do drugs because my body wouldn’t let me, because of my age. I know some people can party ’til the end of their days. Good for them. Unfortunately, not me.

Do you remember the moment you first realized you were famous? The first “fan” reactions?
The attention I got was before I was famous, and I have a very modest degree of fame… I always say I am “sort of famous.” I don’t understand the concept of being a fan. When I see halls and stadiums full of people adoring one singer or one actor, you know, it’s strange to me.

You lived in New York, San Francisco, and Fire Island in the ‘70s. How did they differ? Which city was the most fun? Where did you have your greatest conquests?
I had a good time wherever I went. My feeling of a ‘good time ‘was the same in every place I went. The ’70s were an amazing time in all these places.

You talk about your friendship with Robert Mapplethorpe in the documentary. Who were some of your other contemporaries? Who else from that period did you hang out with?
I only “hung out” with a few friends and family, but otherwise I was not a fan of “hanging out.” I met many famous people but was more interested in going out and cruising the streets rather than “hanging out” with them.

You spoke about the serious business of sex back in the ‘70s — how you went out alone, to be seen, how you didn’t talk to friends when you ran into them. Could you tell me a little more about how you approached hooking up in those days?
I was running around like a dog in heat, like thousands of other gay men during the 70’s. I dressed in my hand made outfits and attracted people to meet to hook up. It was that simple.

Tell me about your life today? Do you still photograph? Are you recognized often? Do you go out or are you a homebody?
My life today would be of little interest to anyone. Mostly any photographs I take now, I point the camera outward not towards myself, capturing moment on my daily walk of the homeless, nature, and very mundane things around me. Im not recognized often, and spend alot of time at home.

My favorite thing is sitting and thinking. I think a lot. Try to make sense of my world. It’s weird times, man. I’m easily bored by people. I don’t make new friends, it’s a boring life. All my good friends are gone.

“Peter Berlin” is long gone.

He’s not in my mind!
Yeah. I say to myself: Peter don’t put yourself down. It seems that image I created, it sticks in people’s minds. It gives people a good feeling.

It’s a good image. It’s a peaceful image. Strong image. It’s a beautiful image and it’s an EROTIC image, don’t forget that. That was the whole idea of Peter Berlin. I didn’t want to have my mother say “Oh this is a very nice image!” And that’s what I achieved!

For me, youth was something very  specific and beautiful and just something I lived through and just enjoyed. And now I’m looking back and I images, yes people still know them, but people ask now Peter Berlin, is he dead or is he still alive? And I’m sitting there thinking about what crescendo I could put and the end of my life?

What do you think that crescendo is?
The wish or vision I would have would be to get my voice heard or seen, that means I would love to make a big film. I made two stupid movies  in the ’70s…

No, no, no, they weren’t stupid AT ALL!
They were nothing to write home about. I did them I’m not ashamed of them. But I’m definitely not proud of them.

But, Peter, it’s a matter of perspective. When I saw them at age 16, they changed my world. They opened up so many windows in my mind. They were very important to my sexual awakening.
I realize that some people look at me like I did something, helped people find strength in their homosexuality. That wasn’t my purpose. I just wanted to look good and take photos. I just wish I’d made a film I was proud of. Still hoping. My crescendo.

What a book or a memoir? 
Unfortunately I’m not a writer. When I talk, people say: You should write a book. I do have a unique story. I’d love to have a small budget for a film to tell my story. To be the one who creates it with my vision.

Well, I hope that comes to pass. Thank you for your time, I had a nice time talking to you. I’ll introduce myself to you at the Mapplethorpe: Look at the Pictures premiere next week and we can talk some more!
Thank you, goodbye.

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Who Is Gwen Stefani Singing About In Her New Single “Misery?”

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Why’d Blake have to go and make Gwen like him?! She’s so mad at Gavin ‘cuz now he’s got her missing WHO?! The Queen of Pout decided to flip a rainy Friday around and gift us with the third single off her highly anticipated solo album ‘This Is What The Truth Feels Like’ and yes, we are obsessed (duh).

LISTEN below and then we’ll discuss:

Addictive, right?! But wait…who is she singing about?

Mr. Rossdale?

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Or Mr. Shelton?

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Secretly, I wish it was about Andre 3000:

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Gwen said: “The record is happening in real time,” Stefani told EW last month. “I’ve never had a record that’s been about happiness, so that feels really good and different. And I’ve never had records come out while it’s going on.” Lyrics like “Put me out of my misery/ hurry up come see me” and “You’re like drugs to me/ I’m so into you totally” echo the sentiment.

Whoever she’s swan singing too, we can’t get enough of it. Look for the album March 18th (SO soon!) and be sure to load this song into your iTunes iShuffle immediately.

This post is approved by Gwen’s partner in crime Eve:

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Lourdes Leon Stars in New Stella McCartney Campaign – and Looks AMAAAAAAAAZING

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She has her mother’s big, brown, velvety cow eyes, those same spidery eyelashes, and eyebrows like two caterpillars crawling across her face. In short, Lourdes Leon is a KNOCK-OUT. And with this washed-out pearly purple hair in these new Stella McCartney ads, it’s easily the most best she’s ever looked.

It’s the first fashion campaign for the 19-year-old who continues to study in University of Michigan – “so this is just a side project for now.” She said she wanted to join the campaign because of its message of “female unity” and “body positivity.”

“I go through this struggle myself, [where] women’s bodies have been made so public that everyone feels like they need to comment” says Leon.

Check out the pics below.

 

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Attention Angelenos: The Historic Joint Mapplethorpe Exhibits at LACMA and the Getty Happens NEXT WEEK

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This month, the J. Paul Getty Museum and the Los Angeles County Museum of Art will jointly show the work of Robert Mapplethorpe in a landmark retrospective exhibition at both museums (kind of a big deal). The simultaneous exhibitions feature work drawn from the joint Getty/LACMA acquisition of art and archives made in 2011 from the Robert Mapplethorpe Foundation, and include both his most iconic images and lesser-known photographs.

Curators for the exhibition are Paul Martineau, associate curator in the Getty Museum’s Department of Photographs, and Britt Salvesen, curator of the Wallis Annenberg Photography Department and the Prints and Drawings Department at LACMA. The two complementary presentations are designed to highlight different aspects of the artist’s complex oeuvre.

The exhibition reexamines the arc of Mapplethorpe’s photographic work from its beginnings in the early 1970s to the culture wars of the 1990s, and features his most iconic images of portraits, still lifes, and figure studies alongside less-known photographs. It also explores his fascinating early drawings, collages, sculptures, and Polaroid photography; working materials from his archive; rare color photographs; and seldom-seen video works.

Brit Salvesen explains the difference between the two exhibits:

“LACMA’s presentation focuses on Mapplethorpe’s working methods, sources, and creative processes—the experimental and performative aspects of his work—while the J. Paul Getty Museum highlights the artist’s disciplined studio practice, figure studies, and legacy.”

The exhibits will be on view March 15–July 31, 2016, at the J. Paul Getty Museum at the Getty Center, and March 20–July 31, 2016, at LACMA.

Also in the Getty’s Center for Photographs during the Mapplethorpe exhibition will be “The Thrill of the Chase: The Wagstaff Collection of Photographs,” on view March 15–July 31, 2016.

Says LACMA:

LACMA’s presentation (March 20–July 31, 2016) highlights the artist’s relationship to New York’s sexual and artistic undergrounds, as well as his experimentation with a variety of media. Additionally, a focused installation of work by other artists drawn from LACMA’s permanent collection helps place Mapplethorpe in conversation with the art of the 1980s. The companion exhibition at the Getty (March 20–July 31, 2016) explores Mapplethorpe’s disciplined studio practice and his fascination with classical form and the fine photographic print.

Says the Getty:

Robert Mapplethorpe is among the most influential visual artists of the late twentieth century. This major retrospective exhibition reexamines the arc of his photographic work from its humble beginnings in the early 1970s to the culture wars of the 1990s. Featuring portraits, nudes, still lifes, and the controversial X Portfolio, the exhibition explores Mapplethorpe’s studio practice and the creation of his foundation, which has shepherded his legacy into the 21st century.

Drawn from the landmark acquisition from the Robert Mapplethorpe Foundation, two complementary presentations, one at the J. Paul Getty Museum and another at the Los Angeles County Museum of Art, highlight different aspects of the artist’s complex oeuvre.

All of this, of course, is to wind you up for the big HBO/World of Wonder premiere of Mapplethorpe: Look at the Pictures on April 4th. Set your DVRs now, you aren’t going to want to miss THIS ONE.

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The post Attention Angelenos: The Historic Joint Mapplethorpe Exhibits at LACMA and the Getty Happens NEXT WEEK appeared first on The WOW Report.

March 12: It’s YOUR Birthday, Bitch!

#BornThisDay: Liza Minnelli

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March 12, 1946Liza Mae Minnelli Allen Haley Gero Gest:

“Momma always taught me: ‘Be the best version of yourself. Don’t be the second best version of somebody else.’ I’ve always stuck to that. I performed with her at the Palladium and it was tough to keep up although I never tried to imitate her. She’d be pleased I’ve made a name for myself.”

They come in all stripes, shapes and shades, so I am rather certain that there must be some gay folks that do not care for her. I mean, there are unbelievably, Gay Republicans after all,  but for me, I wouldn’t be a proper gay guy having my gay day without mentioning that today is the birthday of Liza Minnelli.

For you kids who are too young to understand, her mother was Judy Garland, whose own father was gay, two of her husbands were gay, the man she handpicked as a husband for her Liza was gay, her gay fans remained her most steadfast fans through the drugs and the booze, the highs and the lows. Her father was Vincente Minnelli, the director of classic MGM musicals like Meet Me In St. Louis (1944), Gigi (1958) and An American In Paris (1951), who lived a life as peculiar as the dream ballets that became his trademark. Even Liza got her start at MGM, at two years old, in a scene with her mother in The Good Old Summertime (1949).

The first two visitors to her famous mother’s bedside when she had given birth to Liza were Frank Sinatra and Noël Coward. Minnelli:

“Honey, I’ve been famous since before I was born.”

That has been both her blessing and her curse.

Fully recognizing her illustrious pedigree (her parents were both Academy Award winners) I first saw her in The Sterile Cuckoo (1969), which brought her an Oscar nomination. I was rather astonished by her performance which was followed by another in Tell Me That You Love Me, Junie Moon (1970). Of course, there was the double whammy in 1972 of the film version of the musical Cabaret plus the television special Liza With A Z, all formidable, heady stuff for a baby gay like me.

Minnelli started her career in her teens, working first in nightclubs, crooning the standards while dreaming of being an actor. While it lacked the glamour of Broadway or the prestige of films, the years of performing before a small audience helped her build her acting chops and her assured stage presence. She was one of the replacements for the role of Luisa in the long-running The Fantasticks Off-Rroadway and on tour. She made it to Broadway with credits that include: Flora The Red Menace (1965), Chicago (1976), The Act (1978), The Rink (1984), Victor/Victoria (1997), plus a series of Broadway concerts, the first in 1974 and the last 2009.

You kids might know Minnelli from her role in the cult hit Arrested Development (2003-05, 2013). What you might not have noticed was the amount of inside jokes the writers crammed into her appearances; mocking and paying homage to everything from her biggest roles to her famous friends. Minnelli camping it up as the horny, rich, dizzy (literally) Lucille was one of the best surprises on a show filled with great ones.

There is no denying the talent: An Oscar, Emmy, Tony, Grammy, BAFTA, and Golden Globe all sit on her mantle, one of only 16 people to have won them all.

For me, Minnelli was miscast in her most famous role as Sally Bowles in Cabaret, a character decidedly marked by her lack of talent. But it is bad casting that worked out rather nicely. Minnelli was absolutely wrong for the role, yet she made it her own and ruined it for every actor that followed.

Through the ups and downs, the drugs and booze, the weight gains and losses, and the marriages, just when she seems a joke, Minnelli redeems and reinvents herself with choices like Results, her terrific 1989 album with Pet Shop Boys.

Minnelli’s performing style is so: “Please, Please, Love Me”, that I find it simply rude not to. At 70 years old she keeps on giving and giving and demanding the love.

Minnelli, performing since  she was 2 eyears old, isn’t about to retire.  Just six months ago, she gave a series of concerts in the UK, including a night at The Palladium, the same venue at her mother’s famous comeback concerts in 1964. Garland died with a huge debt. Minnelli has bills to pay too:

“I have two business managers and they’re both in jail! I mean, Marty Scorsese and I had the same business manager… and he’s in the clink! Luckily, now I insist on always signing my own checks. You learn a little bit as you go along.”

The showbiz must go on.

Minnelli has always been an outspoken advocate for LGBTQ people. But did you know that she claims that she told Elizabeth Taylor about HIV/AIDS while talking about their mutual friend, Rock Hudson? She has given a lot  time to Taylor’s organization, amfAR (The Foundation for AIDS Research).

Minnelli has long been associated with the music of Kander and Ebb, and in 1994 she recorded their song The Day After That, donating the proceeds to amfAR. She performed the song in front of thousands of fans at a Central Park concert on the 25th anniversary of the Stonewall Riots.

Like her mother before her, at least 3 of her husbands were gay. They practically invented the term “Gay Marriage”.

On a lovely spring day in 1977, I followed her for several blocks until she went into the Russian Tea Room, where she met Lauren Bacall in the doorway with a kiss. I followed the pair of stars inside and sat at the bar, but I couldn’t bring myself to approach her. I may have seen her at Studio 54 during that same era, who knows, what with the Quaaludes and the cocaine; maybe I just thought I saw her with Halston, Bianca and Andy.

“Listen, everyone ages but not everyone has to get old. I’ve never lost my curiosity and I think that keeps you young.”

The post #BornThisDay: Liza Minnelli appeared first on The WOW Report.

#LizasMom: Want To See the Greatest Performer of the 20th Century…?

#HelloDolly: Iowa Man Spent His Life Carving 81 Life-Size Dolls

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The dolls’ mysterious maker, the plainly named, Robert Smith, was a farmer from Battle Creek, Iowa. Born in 1916, he died in 2002. Both his wife and daughter are dead and Smith left no heirs and no immediate family besides the 81 wooden women he liked to call his “Firewood Floozies.” But they are most often known as the Dollies.

On the top floor of the Plymouth County Historical Museum in Le Mars, Iowa are 81 wooden dolls. Each doll is 15 pounds and 39 inches tall. Smith ran a large farm growing corn, but he considered himself a type of artist. Smith began carving the dolls in the fall of 1976 in the winter when the frigid weather kept him inside. He would stop in the spring and then start again in the fall after the harvest.

Smith sketched each doll first and used wood from his farm to make every part of the dolls by hand except the hair, which he ordered from a catalog. Smith used a buzz saw to hack down the wood into large blocks and then trace them with his cardboard templates. From an article in the local paper,

“The rest is painless, Smith assures. Every one of the legs has a screw eye and the legs and arms bend in the same place where Smith’s own body bends. The doll feet have five toes just like Smith’s own feet, which he uses as patterns.”

Smith sewed each outfit, choosing the fabric for the clothing, and using the hand crank on the machine to perfect each stitch. He gave each doll shoes, accessories, a name and a story. (Sounds like RuPaul’s Drag Race, huh?) Take “Angel Fallon”, one of Smith’s favorite dolls. He even pierced her ears. The story that accompanies her reads,

Hello! My name is Angel. Since I moved to my own apartment here I’ve been having this problem with rats in my kitchen. It could be worse because they all eat out. At first they were eating my cooking, too, but by now the survivors know better…My stomach is made of wood so I can eat anything.

A doll with a blue mini skirt and knee high boots holds a cigarette.

I hate housework. Mama says I must learn all the house-keeping arts to be happy and successful in life. When I tell her I don’t need that because I’m going to be a model or actress she says, ‘Little girl your head must be made of wood to think that way.’

Smith said that their personalities just manifested on their own out of the wood in his hands.

“I think it’s fun to make each doll a figment of the imagination, to be like a plastic surgeon.

The last doll was finished on May 5, 1998 and Smith went into a nursing home. The dolls “live” on the top floor and the museum plays Hello Dolly for them on loop. I know. It sounds like the beginning of a horror movie… (via Atlas Obscura)

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The post #HelloDolly: Iowa Man Spent His Life Carving 81 Life-Size Dolls appeared first on The WOW Report.

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