December 6, 1900– Agnes Moorehead:
“I’ve worked with the tops, & I think they are marvelous. I’m always excited at doing scenes with people who are very experienced & know what they are doing. It’s the people who don’t know what they’re about & are self-indulgent who are very difficult to play with.”
It took me some time to realize that a favorite childhood television sitcom, Bewitched (1963-1972) was actually a satirical allegory on the issues of modern American prejudice. Samantha, a witch with impressive supernatural talent, lives among the mortals while hiding her true identity from a society who would never accept her. She is in the broom-closet. Moorehead, played Endora, Samantha’s oddly single, meddling mother who hates Samantha’s father played by the very fey Maurice Evans. Endora insists that Samantha not hide away her true nature just because she might possibly be rejected by society. Each episode of the popular show was another zany example of the perils of not coming out. The series had possibly the gayest cast ever: Moorehead, Evans, Dick Sergeant (Darrin #2), & of course Paul Lynde as Uncle Arthur. If that wasn’t enough, the show’s lead, Elizabeth Montgomery, was an avid early activist for Gay Rights, happily agreeing to appear in Pride Parades. Montgomery:
“Don’t think that didn’t enter our minds at the time. We talked about it on the set… that this was about people not being allowed to be what they really are. If you think about it, Bewitched is about repression in general & all the frustration & trouble it can cause. It was a neat message to get across to people at that time in a subtle way.”
Moorehead was very fond of the original Darren, Dick York, but she would drive Sergeant, the second Darren to tears.
Moorehead was a serious actor who worked on Broadway, most famously as part of Orson Wells’ Mercury Theatre Group from 1937-1946, where she played Lady Macbeth to Wells’ title role in the Scottish Play. She frequently worked in radio, originating the lead role in Sorry, Wrong Number (1943), which is not about a trick gone all wrong. Moorehead appeared in more than 60 films over 3 decades. She was nominated for an Oscar for Best Supporting Actress 4 times, for The Magnificent Ambersons (1942), Mrs. Parkington (1944), Johnny Belinda (1948), & Hush… Hush, Sweet Charlotte (1964).
Moorehead won 2 Golden Globe awards for Best Supporting Actress, for Hush…Hush, Sweet Charlotte & Mrs. Parkington. The wins were 20 years apart. She was nominated for an Emmy Award 6 times for her work on Bewitched, won an Emmy for her work on The Wild Wild West in 1967.
It was an open secret in Hollywood & in the Theatre World that Moorehead had love affairs with women, but she was consistently circumspect in commenting on her personal life:
“A certain amount of aloofness on one’s part at times, because an actor can so easily be hurt by unfair criticism… an artist should . . . maintain glamour & a kind of mystery.”
Moorehead’s position probably was directed by the knowledge that living life in the open as a lesbian would have brought disastrous ramifications to her acting career.
Her Bewitched co-star, the closeted Paul Lynde, was less reticent:
“The whole world knows that Agnes was a lesbian. I mean classy as hell, but one of the all-time Hollywood dykes. When one of her husbands was caught cheating, Agnes screamed at him that if he could have a mistress, so could she!”
Morehead’s film roles include many dyke-ish stereotypes: a WAC officer, a madam, & a superintendent of a women’s prison, unmarried women, spinster aunts, nuns, governesses, & ladies’ companions.
Moorehead’s BFF was the great Debbie Reynolds. Reynolds’ son Todd Fisher claims that his mother had a longtime affair with Moorehead.
Her first marriage lasted 22 years because she & the husband lived apart. She had sent him to run her farm Ohio. She left her second husband right after the wedding, but didn’t divorce until 8 years later.
I am impressed with almost all her film roles, but especially as a butch in Caged (1950), Johnny Belinda (1948) & The Bat (1959) where she was Vincent Price’s equal.
In her film debut, Citizen Kane (1941), she plays Kane’s (Orson Welles) mother. She has a scene where is packing his bags to send him away forever & with very little dialogue, she shows such deep grief at being parted from her only child, yet with an assurance that this is the best thing for him, that is just astonishing. It is a little master class in acting.
I saw her once, when I was trolling Beverly Hills in my ’59 T-Bird hoping for a glimpse of some movie stars. It was autumn of 1973 & she was getting out of a white Lincoln in the driveway of an unpretentious, but lovely traditional Colonial style house on North Roxbury down the street from Lucy & Desi’s place.
Moorehead said that she had not expected Bewitched to be a hit & that she felt trapped the show’s enormous success.
Moorehead appeared in The Conqueror (1956), which was filmed just downwind from a Nevada nuclear test site. She was one of the 90 (out of 220) cast & crew members, including co-stars Susan Hayward, John Wayne, & director/producer Dick Powell, who all developed cancer within a decade. Morehead’s final credits rolled in 1974, taken by that damn cancer.
A lesbian, much adored by gay people, ironically, she left her estate, including the Ohio farm, to the Ultra-Conservative Christian Bob Jones University, along with her huge library of Biblical studies books.
Moorehead knew a thing or two about eyeshadow. Plus, her name is Moorehead which makes me giggle like a 12 year old boy.
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